[Yasmin_discussions] Hybrid Cities: interviewing Roger Malina, Mariateresa Sartori & Bryan Connell

Hi Yasmin list,

I thought it appropriate to post on here our recent interview with Roger
Malina, Mariateresa Sartori & Bryan Connell on Furtherfield.

Wishing you well.

marc

Hybrid Cities: interviewing Roger Malina, Mariateresa Sartori & Bryan
Connell

By Lawrence Bird

Roger Malina is a physicist and astronomer, Executive Editor of Leonardo
Publications (The M.I.T. Press), and Distinguished Chair of Arts and
Technology at the University of Texas at Dallas. Dr. Malina helped found
IMéRA (Institut méditerranéen de recherches avancées), a Marseille-based
institution nurturing collaboration between the arts and sciences.

Mariateresa Sartori and Bryan Connell are two artists recently based at
IMéRA. Their work connects with human movement through the city, and
addresses the intersection between technology and perception. Recent
work by Venice-based Mariateresa Sartori has encompassed drawing and
video. Bryan Connell, Exhibit/Project Developer at San Francisco's
Exploratorium, works especially with landscape observation devices and
mapping.

http://www.furtherfield.org/features/interviews/hybrid-cities-interviewing-roger-malina-mariateresa-sartori-and-bryan-connell



--
--->

A living - breathing - thriving networked neighbourhood -
proud of free culture - claiming it with others ;)

Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php

Furtherfield – online arts community, platforms for creating, viewing,
discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org

Furtherfield Gallery – Finsbury Park (London).
http://www.furtherfield.org/gallery

Netbehaviour - Networked Artists List Community.
http://www.netbehaviour.org

http://identi.ca/furtherfield
http://twitter.com/furtherfield

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[Yasmin_discussions] multi media photography works as new media arts in expansion

Dear Sirs


I seem to have pursued my multi media new media arts -series of
activations- for 49 years, as can be seen via,
my already running internet blogs, addresses and links, as quite
accessible, Possibly, İ will be needing
supports and further guidance, discusssion panelsvimeoda hazırlanmıs video
klipleri bilgi eksigini ve yorumlar ekleyerek
gösterime ilgilenirmisiniz acaba belki bazılarını tercih edersiniz



VOLKAN TERZIOGLU 2.09 vimeo.com/2931839

ONLAR 5.35 DICTIONARY OF MOSCOW CONCEPTUALISM 2892608

a multi media reminescence 3.35 let there be love nat 3259611

nmk space works 7.15 mediterranean ulucan trio 1736799

along the wall 3 7.12 19.01.2009 2886264

provocations m 3.36 ilhan mimaroglu 603055

two preludes 10,11 4.44 2886104

CLAIR DE LUNE 3.30 MG 4579877

BERGAMA 5.58 2004 4280756

SUBSTREAMS 221 8.17 arto 4256456

studio-minus nomo pauline O. 3543763

the green clip pastoral symphony 4.00 4184454

potlucks 7.33 webern, ligeti 3105481

ali dogan suite 3.29 4230404

Kaffe and Zeena 7.13 4185314

buyukberber solo BMSUMA concert 2.52 5072420

allegro passionata dilbag tokay/emine serdaroglu 30.5.08 4928422

miam b.arel juraj, paula matthusen 7.22 4881558

new sounds at MIAM 10.55 PAULA, Joraj Koja4770976

newclip 111 5.58 j.cage ensemble 13 4810104

FANNY 5.22 gyorgy kurtag, van heumen 4834008

newmedia dance event 2002 deuce k 25938316

potpourie 12 6.51 C Wolff, coltrane, electronics 1895070

fontana REMIX 9.04 channels/4050

borusan sa.ne.na amy 18246179

graspimg the tendencies 5.13 mehmet ne mutlu iu 17416805

marals electro-acoustics 2010 aggregates 6.31 13604250

transit days nmk video 2007 50583

new deform sounds 5.57 5244789

buyuk rakkamların önüne www.vimeo.com/17416805

gibi koyabilirsiniz videoların ek bilgilerini muzikler için lutfen
doyurunu

[Yasmin_discussions] yasmin debate around open acecss

yasminers

There is much debate these days around open access publication. This is an issue
that transcends the arts, the sciences and technology research and practice.

We are living in an exciting time of transformation in how
professionals document their work and share it

to others. Perhaps 50 years from now it will be clear which new
business models provide

platforms for sustainable academic publishing ( we forget that current
academic publishing

is a recent invention; in the 19th century academic publishing was the
sole domain of scholarly

societies; commercial research publishers only emerged in the 1950s)



A number of funding agencies now require funded authors to publish in open

access publications ( where often a page charge is collected). As a
result Leonardo

is now making available an option where authors whose funding agencies require

open access publishing may do so with a page charge.



Recently my UT Dallas colleague blogger David Parry has insisted

that open access is an ethical issue and that it is immoral for
academics to publish in

subscription or fee based publications, Do you agree ? We look
forward to a vigorous debate


Here is a podcast of David Parry' opinions in the Chronicle of Higher
Education :


http://chronicle.com/blogs/techtherapy/2013/03/06/episode-104-professor-sees-moral-imperative-for-open-access/



I need to declare a conflict of interest on this discussion as I am
Executive Editor of the Leonardo Publications

at MIT Press.


http://leonardo.info/



Here are recent posts from the US government on open access=

these apply to government funded research - should it apply to the
arts and humanities
as well as science and engineering and medical research ...


http://www.whitehouse.gov/administration/eop/ostp/library/publicaccesspolicy


http://www.whitehouse.gov/sites/default/files/microsites/ostp/ostp_public_access_memo_2013.pdf
http://www.whitehouse.gov/sites/default/files/microsites/ostp/public_access-final.pdf

How is this debate going in around the mediterranean and elsewhere ?


I look forward to your comments on this debate which you can also find
on my blog: malina.diatrope.com

roger malina
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[Yasmin_discussions] Leonardo LASERS in San Francisco, Washington National Academy of Science, Stanford, Berkeley, New York, Los Angeles

Leonardo is pleased to bring to your attention the Leonardo Laser's in
San Francisco, Los Angeles,

Washing National Academy of Science and New York



http://www.leonardo.info/isast/events.html



NEXT San Francisco LASER: 11 March 2013

Join us for a lively evening of discussion and networking at the next
Leonardo Art Science Rendezvous (LASER), 11 March 2013 at University
of San Francisco. LASER presents: Terry Berlier (Stanford) on "Where
the beginning meets the end"; Curt Frank (Stanford Univ) on
"Historical Pigments: The Good, the Bad, and the Ugly"; Deborah Gordon
(Stanford) on "Anternet: How ant colonies use interaction networks";
and Katharine Hawthorne (Choreographer) on "Choreography as Research."
Find out more

FIRST L.A. LASER: 7 March 2013

The first UCLA LASER will take place 7 March 2013 at the California
NanoSystems Institute presentation space. The topic for this meeting
is Biotech + Art. Everyone invited will introduce their work in 3
minute pecha-kucha style presentation. This will be followed by drinks
and food + socializing and making new connections. This event is FREE
and open to the public. Art|Sci director Victoria Vesna will lead the
LASER meetings. Find out more

Next Daser: 21 March 2013

Greetings, Washington, D.C. Metropolitan area readers! Join us for the
D.C. Art Science Evening Rendezvous (DASER), 21 March 2013 at the Keck
Center of the National Academy of Sciences, 500 Fifth St., NW,
Washington, D.C. The discussion explores the theme of Water. Enjoy
presentations by Hali Felt, Kevin Finneran, Connie Imboden, and
Heather Spence. Find out more



http://www.leonardo.info/isast/events.html
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[Yasmin_discussions] BWPWAP or TINNUTS - join common practice at Transmediale 2013

Referencing the BWPWAP theme of the Transmediale festival, this is an
invitation to process/discuss/research together the idea that THERE IS
NOTHING NEW UNDER THE SUN (TINNUTS).

Join common practice at Transmediale in the green room and by:
connecting to the wiki
http://wiki.fantomton.de/index.php?title=Commonpractice_tinnuts and at
the same time connecting to irc://irc.freenode.net/##commonpractice or
joining ##commonpractice channel on freenode.

Common practice is an experiment into language and code,and doing things
with people, machines and software.

This experiment runs for the duration of the festival and is also a beta
testing of the platform which includes collaborative practices between
wiki, software called IRK.a and human participants.

Also see IrkaManual for mor info
http://wiki.fantomton.de/index.php?title=IrkaManual.

fantomton.de

magda.commonpractice.org

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[Yasmin_discussions] DIWO: Do It With Others – No Ecology without Social Ecology.

Hi all,

Sorry for any cross posting - but thought some on this list may be
interested in the subject...

Wishing you well.

Marc

DIWO: Do It With Others – No Ecology without Social Ecology.

http://www.furtherfield.org/features/articles/diwo-do-it-others-%E2%80%93-no-ecology-without-social-ecology

By Marc Garrett, Ruth Catlow.

The acceleration of technological development in contemporary society
has a direct impact on our everyday lives as our behaviours and
relationships are modified via our interactions with digital technology.
As artists, we have adapted to the complexities of contemporary
information and communication systems, initiating different forms of
creative, network production. At the same time we live with and respond
to concerns about anthropogenic climate change and the economic crisis.
As we explore the possibilities of creative agency that digital networks
and social media offer, we need to ask ourselves about the role of
artists in the larger conversation. What part do we play in the evolving
techno-consumerist landscape which is shown to play on our desire for
intimacy and community while actually isolating us from each other.
(Turkle 2011) Commercial interests control our channels of communication
through their interfaces, infrastructures and contracts. As Geert Lovink
says 'We see social media further accelerating the McLifestyle, while at
the same time presenting itself as a channel to relieve the tension
piling up in our comfort prisons.' (2012: 44)

Many contemporary artists who take the networks of the digital
information age as their medium, work directly with the hardware,
algorithms and databases of digital networks themselves and the systems
of power that engage them. Inspired by network metaphors and processes,
they also craft new forms of intervention, collaboration, participation
and interaction (between human and other living beings, systems and
machines) in the development of the meaning and aesthetics of their
work. This develops in them a sensitivity or alertness to the diverse,
world-forming properties of the art-tech imaginary: material, social and
political. By sharing their processes and tools with artists, and
audiences alike they hack and reclaim the contexts in which culture is
created.

This essay draws on programmes initiated by Furtherfield, an online
community, co-founded by the authors in 1997. Furtherfield also runs a
public gallery and social space in the heart of Finsbury Park, North
London. The authors are both artists and curators who have worked with
others in networks since the mid 90s, as the Internet developed as a
public space you could publish to; a platform for creation,
distribution, remix, critique and resistance.

Here we outline two Furtherfield programmes in order to reflect on the
ways in which collaborative networked practices are especially suited to
engage these questions. Firstly the DIWO (Do It With Others) series
(since 2007) of Email Art and co-curation projects that explored how
de-centralised, co-creation processes in digital networks could (at
once) facilitate artistic collaboration and disrupt dominant and
constricting art-world systems. Secondly the Media Art Ecologies
programme (since 2009) which, in the context of economic and
environmental collapse, sets out to contribute to the construction of
alternative infrastructures and visions of prosperity. We aim to show
how collaboration and the distribution of creative capital was modeled
through DIWO and underpinned the development of a series of projects,
exhibitions and interventions that explore what form an ecological art
might take in the network age.

Featuring: A Abrahams, Kate Rich, IOCOSE, Helen Varley Jamieson, Paula,
Feral Trade Cafe, make-shift, Do It With Others (DIWO) E-Mail Art, If
not you not me.

First published in Remediating the Social 2012. Editor: Simon Biggs
University of Edinburgh. Pages 69-74
http://elmcip.net/critical-writing/remediating-social

An ebook version of Remediating the Social is freely downloadable.
http://elmcip.net/sites/default/files/files/attachments/criticalwriting/remediating_the_social_full.pdf

--
--->

A living - breathing - thriving networked neighbourhood -
proud of free culture - claiming it with others ;)

Other reviews,articles,interviews
http://www.furtherfield.org/reviews.php

Furtherfield – online arts community, platforms for creating, viewing,
discussing and learning about experimental practices at the
intersections of art, technology and social change.
http://www.furtherfield.org

Furtherfield Gallery – Finsbury Park (London).
http://www.furtherfield.org/gallery

Netbehaviour - Networked Artists List Community.
http://www.netbehaviour.org

http://identi.ca/furtherfield
http://twitter.com/furtherfield

_______________________________________________
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[Yasmin_discussions] marseille european city of culture

yasminers

have any of you attended any of the first events in marseille
that have launched marseille as a european city of culture

it would be great to have your reportage and discussion !!

roger

Thanks Roger,
Marseille Capital of culture could be a discussion... in few months
Happy new year to you all
Colette Tron
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