Monday, August 31, 2009

[Yasmin_announcements] RFP: Funding Opportunities from the National Science Foundation CreativeIT Program

Funding Opportunities from the National Science Foundation CreativeIT
Program

http://www.nsf.gov/funding/pgm_summ.jsp?pims_id=501096&org=CISE&from=home
DUE DATE

Full Proposal Deadline Date: October 13, 2009
I. INTRODUCTION

Creativity, design, and research all contribute new knowledge and artifacts.
The CreativeIT program focuses on the commonality of these three processes
and solicits proposals that bring creative practice and creativity research
to play a role in transformative research in specific contexts of computer
science, cognitive science, information technology, education, engineering
design and science. The program considers design as a type of research in
which the definition of the problem may change in response to the
exploration and development of alternative solutions, leading to creative
solutions and innovation. The program's objective is to bring together
different disciplines associated with creative and scientific advances in a
way that is mutually beneficial. This program encourages new ways of
thinking about one discipline in terms of another, so that the
interdisciplinary nature of the project is a means to an end rather than an
end in itself.
II. PROGRAM DESCRIPTION

Information technology is playing an increasing role in extending the
capability of human creative thinking and problem solving, and conversely,
creative uses of information technology are leading to new areas of research
and innovation. Creativity is often the result of a design process in which
the exploration of possible designs changes our perspective on what the
design can or should achieve. A designer develops new artifacts in the
context of a perceived need or problem specification. In creative design,
the reflection on problem finding becomes as important as problem solving.
The combination of creativity and design thinking in information technology,
science, and engineering has the potential to define new areas and lead to
increased successful innovation. *Advances:* CreativeIT seeks proposals for
projects whose objectives are new models of creativity, new models for
research and education, or creativity enhancing tools developed in the
context of a specific discipline.

*Research Areas: *The following research areas elaborate on these potential
types of advances as guidelines for describing how the objectives of the
project contribute to CreativeIT.

1. *Understanding Creative Cognition and Computation. *Research in this
area develops or applies cognitive models that serve as inspiration for
computational models of creativity, support for human creativity, or
approaches for educating people to be more creative. This research is
typically done by adopting or adapting a model of cognition and evaluating
its creative performance in different contexts, or developing a new model of
creativity based on empirical or ethnographic studies. The emphasis in this
area is the development of new models of cognition and computation that
explain or simulate creativity and how these models open up new research
areas in computing and cognitive science.
2. *Creativity to Stimulate Breakthroughs in Science and Engineering. *This
area considers the role and performance of creative professionals in
developing new technologies, discovering new patterns in information, and in
finding new ways of seeing, knowing, and doing computing, science and
engineering. This area seeks to foster research that is conducted with
groups of people from different backgrounds in which the creative synergy is
focused on a specific context, problem, or perceived need. The result of
this research is a new product, new model, or new area of research. The
evaluation of the results of this kind of research does not follow directly
from existing metrics or performance criteria and therefore may need to
redefine relevant performance criteria.
3. *Educational Approaches that Encourage Creativity.* This area
considers a broad range of approaches to learning that encourages
creativity: multi-disciplinary teaching and learning, design studio
environments, skills development through making and doing, serious games,
and open-ended problem-based learning. This area includes the development
and evaluation of innovative computational environments for learning that
reward creativity leading to transformative changes in curriculum objectives
and structure.
4. *Supporting Creativity with Information Technology. *This area
develops new software and interaction design to support people in being more
creative and evaluates their performance through user studies either in
controlled environments with empirical studies or in the context of a
complex problem or situation with ethnographic studies. The emphasis in this
area is the development of new computing environments where the environment
itself may be a creative product, and the environment is intended to support
people in their creative activities.
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[Yasmin_announcements] test mail by Admin

test mail by Admin...
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Wednesday, August 26, 2009

[Yasmin_announcements] El Observatorio para la CiberSociedad

=20
> =20
>=20
> El Observatorio para la CiberSociedad (http://www.cibersociedad.net/) y
e=
l
> CitiLab-Cornell=E0 (http://www.citilab.eu/) han convocado el IV
Congreso de=
la
> CiberSociedad, un "Living Congress" que tiene lugar durante
2009 cuya fas=
e de
> discusi=F3n online se realizar=E1 entre el 12 y el 29 de noviembre. En
esta c=
uarta
> edici=F3n se abordar=E1 desde una perspectiva multidisciplinar y
abierta -com=
o ha
> venido sucediendo en los congresos anteriores de 2002, 2004 y 2006- su
> principal objeto de estudio: lo cibersocial.
>=20
> Mediante este mensaje queremos hacerles llegar la llamada a
comunicacione=
s -el
> "call for papers"- dentro del Grupo de Trabajo del congreso
que coordinam=
os
> bajo el t=EDtulo MEDIA ART/ARTE DIGITAL perteneciente a la secci=F3n
CULTURA,=
uno
> de los 6 ejes tem=E1ticos principales del evento
> (
http://www.cibersociedad.net/congres2009/es/gts/media-artarte-digital/27=
/ )
>=20
> Nuestra llamada va dirigida a todos aquellos investigadores, artistas,
> galeristas, docentes, te=F3ricos, cr=EDticos de arte, historiadores,
fil=F3sofo=
s,
> ingenieros, gestores culturales y p=FAblico en general interesado en
enviar
> trabajos acordes a la l=EDnea editorial del Grupo de Trabajo. Creemos
que e=
s
> imprescindible la implicaci=F3n de cada uno de estos actores sociales
para
> obtener respuestas fidedignas y nuevas tendencias en torno a la
tem=E1tica =
que
> enmarca el grupo en el evento: el Arte y la creaci=F3n
anal=F3gica/digital co=
mo
> impulsor fundamental del progreso en los tiempos de cambios en que
vivimo=
s.
>=20
> El env=EDo de comunicaciones se efectuar=E1, exclusivamente, desde las
p=E1gina=
web
> del grupo. Deber=E1 utilizarse siempre el formulario online de env=EDo
que la
> organizaci=F3n ha preparado para ello. El formulario para el env=EDo de
las
> comunicaciones (que en esta edici=F3n se aceptar=E1n en diferentes
formatos:
> texto, v=EDdeo, audio, gr=E1ficos) estar=E1 disponible hasta el 15 de
septiembr=
e de
> 2009 en la misma sede electr=F3nica del congreso:
> http://www.cibersociedad.net/congres2009.
>=20
&gt
; Rog=E1ndoles puedan dar a esta informaci=F3n la m=E1xima difusi=F3n
posible,
> reciban un cordial saludo,
>=20
> El equipo coordinador
>=20

<HTML>
<HEAD>
<TITLE>Llamada a comunicaciones en el grupo Cultura/Media Art-Arte
Digital =
del IV Congreso de la Cibersociedad (hasta 15 sept. 2009)</TITLE>
</HEAD>
<BODY>
<FONT FACE=3D"Calibri, Verdana, Helvetica, Arial"><SPAN
STYLE=3D'font-size:11pt=
'><BR>
<IMG src=3D"cid:3334070042_9179464" ><BR>
</SPAN></FONT><FONT SIZE=3D"4"><FONT
FACE=3D"Verdana, Helvetica, Arial"><SPAN S=
TYLE=3D'font-size:13pt'> <BR>
</SPAN></FONT></FONT><BLOCKQUOTE><FONT
FACE=3D"Verdana, Helvetica, Arial"><FO=
NT SIZE=3D"2"><SPAN STYLE=3D'font-size:10pt'> <BR>
<BR>
El Observatorio para la CiberSociedad (<FONT
COLOR=3D"#B5838A"><B><a href=3D"ht=
tp://
www.cibersociedad.net/">http://www.cibersociedad.net/</a></B></FONT>)
y=
el CitiLab-Cornellà (<FONT
COLOR=3D"#7C1D2D"><B><a href=3D"http://www.ci=
tilab.eu/">http://www.citilab.eu/</a></B></FONT>)
han convocado el <B>IV Con=
greso de la CiberSociedad</B>, un "Living Congress"
que tiene luga=
r durante 2009 cuya fase de discusión online se
realizará entr=
e el 12 y el 29 de noviembre. En esta cuarta edición se
abordar&aacut=
e; desde una perspectiva multidisciplinar y abierta -como ha venido
sucedien=
do en los congresos anteriores de 2002, 2004 y 2006- su principal objeto de
=
estudio: lo cibersocial.<BR>
<BR>
Mediante este mensaje queremos hacerles llegar la llamada a comunicaciones =
-el "call for papers"- dentro del Grupo de Trabajo del
congreso qu=
e coordinamos bajo el título <B>MEDIA ART/ARTE
DIGITAL</B> pertenecie=
nte a la sección <I>CULTURA</I>, uno de los 6 ejes
temáticos p=
rincipales del evento (<FONT
COLOR=3D"#0000FF"><U><a href=3D"
http://www.cibersoc=
iedad.net/congres2009/es/gts/media-artarte-digital/27/">http://www.cibersoci=
edad.net/congres2009/es/gts/media-artarte-digital/27/</a></U></FONT>
)<BR>
<BR>
Nuest
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[Yasmin_announcements] Google Opens Up Its EPUB Archive: Download 1 Million Books for Free

Google Opens Up Its EPUB Archive: Download 1 Million Books for Free Written
by Frederic Lardinois<http://www.readwriteweb.com/archives/author/frederic-lardinois-1.php>
/
August 26, 2009 12:01 PM / 1
Comments<http://www.readwriteweb.com/archives/google_opens_up_its_epub_archive_download_1_million_books_for_free.php#comments>
« Prior Post<http://www.readwriteweb.com/archives/wikipedias_flagged_revisions_whats_really_going_on.php>Next
Post »<http://www.readwriteweb.com/archives/wikitude_launches_user_generated_augmented_reality.php>

[image: google_books_logo_aug09.png]Google just
announced<http://booksearch.blogspot.com/2009/08/download-over-million-public-domain.html>
that
it will now allow users to download over 1 million public domain books in
the EPUB format. Google had already made this archive available to some of
its partners, including Sony
<http://www.readwriteweb.com/archives/ebooks_sony_now_offers_1_million_free_books_from_g.php>and
Barnes and Noble, but until today users weren't able to download these free
EPUB texts from Google directly. Google will continue to make PDF versions
of these books available for download as well, but users with eReader's will
find the new EPUB files far more useful.

If you don't have an actual hardware eReader but still want to read these
EPUB versions, you can install Stanza <http://www.lexcycle.com/stanza> or a
similar desktop reader <http://www.jedisaber.com/ebooks/Readers.asp> to read
these books.

EPUB: The One eBook Standard to Rule them All

EPUB is a free, standardized format that almost every hardware eReader or
desktop software understands. Amazon's Kindle, however, cannot read EPUB
texts without using some intermediary software that converts these books
into a format the Kindle can understand. While there are a few competing
formats, EPUB has turned into the de facto standard for eBooks. Some
vendors, like Sony, wrap a digital rights management (DRM) solution around
these books, but others just publish completely open, non-DRMed versions of
their books. The EPUB files from Google Books will not be locked down by a
DRM solution.

It is important to note, however, that these EPUB files were run through an
optical character recognition (OCR) system and weren't edited afterwards.
While this software has greatly improved over the last few years, there are
still quite a few mistakes in most books. This post
<http://booksearch.blogspot.com/2009/08/download-over-million-public-domain.html>on
the Google Books blog explains the conversion process in more detail. The
PDF versions of these books don't suffer from this problem, as they are just
copies of the actual pages. This also means, however, that these PDF files
are far larger and that users can't, for example, adjust the size of the
books' fonts according to the size of their screens.
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Tuesday, August 25, 2009

[Yasmin_announcements] Fwd: LASER of September 14 at University of San Francisco

Leonardo Art Science Meeting of September 14

You can view this invitation online at
http://www.scaruffi.com/leonardo/sep2009.html

Leonardo ISAST in collaboration with USF invites you to a meeting of
the Leonardo Art/Science community.
Sponsored by ZKM|Center for Art and Media
and by the School of the Art Institute of Chicago

Like previous evenings the agenda includes some presentations of
art/science projects, a couple of brief "news", and time for casual
socializing/networking.

Please RSVP to p@scaruffi.com . Admission is limited.

When: September 14, 2009 at 6:30pm

Where: USF campus, San Francisco
(RSVP for detailed address and directions)

What:
Rachel Beth Egenhoefer (USF) on "Knitting Code"
Chris McKay (NASA AMES) on "This Martian Life: Three Stories"
Bonnie DeVarco (artist) on "Imago Mundi - Visioning Earth from MappaeMundi
to
Cyberspace"
Zann Gill (author) on "What Daedalus told Darwin"
Q/A and discussion. Socializing/networking.

See http://www.scaruffi.com/leonardo/sep2009.html for abstract and bios.

Feel free to forward to relevant acquaintances, but please ask
to RSVP in order to attend.

Thanks,

piero scaruffi
on behalf of Leonardo ISAST
www.leonardo.info
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[Yasmin_announcements] [Fwd: [Int21] EcoMag first issue]

_______________________________________________
International Mailingliste
JPBerlin - Politischer Provider
International@listen.cultura21.net
https://listi.jpberlin.de/mailman/listinfo/international

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[Yasmin_announcements] amberConference 2nd Call

amberConference
Science, Art and Technology Conference
7-8 November 2009, İstanbul

Deadline is extended to
10th of September 2009

amberConference site >
The first international amberConference will be held in conjunction
with the amber'09 Art and Technology Festival on the 7th and 8th of
November 2009 in Istanbul, Turkey. The conference aims to create a
platform of discussion and dissemination for the various themes and
topics in which Science, Art and Technology converge.

The theme for this year's event is "Cyborg", a concept that has
captured the imagination of the artistic and scientific communities in
terms of theoretical, technological and creative outputs.

The conference seeks previously unpublished papers of a maximum of
4500 words within the fields of Arts and Humanities, Social Sciences,
Computer Sciences and Art Papers discussing original artwork.

Topics include (but are not limited to)

• Machinic/Cyborg Art
• Robotics and robotic art
• Cyborg and Performing arts
• Avatars (virtual worlds and virtualenvironments)
• Computer Games
• Wearable and Tactile Technologies
• Artificial intelligence
• Post humanism
• New modes of embodiment
• Agency
• Medicine
• Genetic engineering, biology, clones and hybrids
• Religion, tradition and eternal life
• Militarism
• Gender
Important dates:

A 500 word abstract to be submitted by
10th of September 2009
Notification of acceptance
15th of September 2009
Registration deadline
1st of October 2009
Deadline for full paper (~4500 word) submission
1st of November 2009
Conference
7th and 8th of November 2009
Deadline for final revised paper submission
30th of December 2009
Proceeding book will be published by
February 2010

submit your abstract>

amberConference site

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