Hallo to those who may still be following this thread!
It had occurred to me that there is a relevant contemporary artist
working today who actually made a project involving technicians,
engineers, architects, astrophysicists, arachnologists, etc
This mans name is Tomas Saraceno. The project 14Billions was the
first time a three dimensional spider web had been scanned - The
development of the ability to scan such a thing was published in two
scientific journals.
The artist with his studio and some scientists from TU Darmstadt
scanned these webs, after years of various attempts - and then rebuilt
it 16 times larger as true to form as possible - a rather audacious
and perplexing operation-
All technique aside, the work, just to have this type of data, has
been a sort of well-spring for scientists - ok a few scientists are
engaging with it, but nonetheless. A biological mathematician in
Japan is using this model information in his analyses, there is
ongoing discussion and application process to launch orb-weaver
spiders to the iss through gilles clement, some bio-materials
scientists at MIT etc -
http://14billionworkingtitle.blogspot.de/
On Tue, Aug 13, 2013 at 12:57 PM, roger malina <rmalina@alum.mit.edu> wrote:
> from linked in
> DOES ART SCIENCE COLLABORATION CONTRIBUTE IN ANY WAY TO SUCCESSFUL
> SCIENTIFIC PRACTICE...
>
> I'd like to pick up on 'the creative producers of knowledge'.
>
> A bit of speculation here:-
>
> Due to their training the use and acquisition of knowledge is
> approached in different ways by artists and scientists.
>
> It's this difference that expands the understanding of some artists
> and scientists and can but does not invariably add value to art and
> science.
>
> One problem that may explain the absence of scientists on this site is
> that the recognised outcomes are different. These are publications in
> science, and virtually anything except publications in art. Most of
> the work that results from collaborations between artists and
> scientists result in some type of art work rather than scientific
> papers. This benefits the artist but is of minor career advantage to
> the scientist involved.
>
> I'm interested in what you think.
> By lizz Tuckerman
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to. In the page that will appear ("info page"), enter e-mail address, name, and password in the fields found further down the page.
> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter your e-mail address in the last field. Enter password if asked. Click on the unsubscribe button on the page that will appear ("options page").
> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set Digest Mode" option and set it to either on or off.
--
~ www.jolthomson.ca ~
_______________________________________________
Yasmin_discussions mailing list
Yasmin_discussions@estia.media.uoa.gr
http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
Yasmin URL: http://www.media.uoa.gr/yasmin
HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to. In the page that will appear ("info page"), enter e-mail address, name, and password in the fields found further down the page.
HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter your e-mail address in the last field. Enter password if asked. Click on the unsubscribe button on the page that will appear ("options page").
HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set Digest Mode" option and set it to either on or off.