Tuesday, June 30, 2009

Re: [Yasmin_discussions] Artists and atoms: fission and fusion

Dear Yasminers

I found the discussion very stimulating and engaging and am thankful for
everyone's contributions.

Through the examples and references given, the diversity and strength of
engagements of individuals, groups and states with the nuclear is striking,
from reactions to events (positive or negative) to great or "crazy" ideas,
to large international collaborations like ITER.

Among all I find particularly worthwhile artists' direct interactions with
science, transcalar works at the nano-scale with quantum magnetic models as
metaphors for new consciousness and expression.

There were few examples of that given, but I think it was clear in the
discussion that they, and future ones, are essential to help advance and
foster the construction of new culture. Definitely more 'mileage to go'!


Jean-Pierre


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Monday, June 29, 2009

Re: [Yasmin_discussions] Artists and atoms: fission and fusion

Greetings

a short reaction to the winding down note by Patrick

a) yes "nuclear" has a negative image in a fraction of the public and its i think well deserved in many ways,the military applications are one of the most grim examples of how good sicience amd scientists can be driven by non scientific, completely ideological ambitions to produce real nighmares

b) yes, as i mentined some time ago most of the measuring and modelling techniques and devices in medicine and environmetal sciences ow very very much to good science done in "nuclear" environmets

c) despite the supposedly bad image, the work on fusion has mustered over the past 3-4 decades by far (several orders of magnitude) more funds than any other scientific field or discipline in history, so the bad image is really of very little practical consequence

d) high grade nuclear waste will be around and dangerous not for 1000 but 25000 years (half life of plutonium) at least, and the work to deal with them is indeed the only publicly funded endeavour that is thinking in terms of "devices", containers, deposits that could last those 25000y
some years ago i had a project arguing that it was sad that the only thing that our civilisation was explicitly preparing for our "neighbours" 25ky from now was a pile of toxic waste and that it would make sense to include in those canisters using a very small fraction of the funds and the space available could/should be devoted to send a positve message about who we where and appologizing for the mess

e) risk perception and the ways to deal with it present indeed interesting parallel features when deling with nuclear, nano and gmo, indeed an intersting field worth of further study

be well
r


--- On Mon, 6/29/09, W. Patrick McCray <pmccray@history.ucsb.edu> wrote:

> From: W. Patrick McCray <pmccray@history.ucsb.edu>
> Subject: [Yasmin_discussions] Artists and atoms: fission and fusion
> To: "YASMIN DISCUSSIONS" <yasmin_discussions@estia.media.uoa.gr>
> Date: Monday, June 29, 2009, 3:51 PM
> Dear All,
>
> As our YASMIN discussion for June winds down, I'd like to
> thank everyone for
> the stimulating ideas.
>
> The main point I will take away from this concern mostly
> the prevalence of
> negative images of nuclear fusion (bombs, reactors) that
> frame much of the
> public's perception. This is despite the uses of nuclear
> isotopes, as
> Gabrielle notes, for medical applications, an idea which
> dates back to
> Ernest Lawrence's cyclotrons of the 1930s. This makes me
> wonder about the
> uphill path projects like ITER might have to take if they
> are going to
> convince the public that fusion/fission projects, et al.
> are safe and
> desirable as well as scientifically interesting.
>
> One thing that I don't think came up - with discussions
> about how to store
> nuclear waste long-term - what are ways in which artists
> have been called
> upon to provide signs and symbols to make it clear what is
> buried deep in
> the ground at a site like Yucca Mountain in Nevada 1000
> years from now?
>
> I also found it interesting that our discussions unfolded
> in the context of
> North Korea's second nuclear test as well as political
> upheaval in Iran, a
> near-nuclear state (the idea of which brings up the whole
> question of what
> does it mean for a nation to become a "nuclear state.")
>
> While I knew something about art mobilized to promote and
> protest the atom
> in the United States, I remain interested in what these
> images looked like
> in other contexts - UK, France, India, China, and
> especially the USSR during
> the Cold War.
>
> Finally, the emergence of discussion about representing
> atoms at the
> nanoscale was an interesting albeit surprising turn. But
> people who study
> public perceptions of risk often draw parallels to fears
> about environmental
> and health issues around nanoscale materials to earlier
> worries about
> nuclear power...so maybe this topic has more mileage to
> go.
>
> Cheers,
> Patrick
> --
> W. Patrick McCray
> Professor &
> Co-PI/Executive Committee Member for the
> UCSB Center for Nanotechnology in Society
>
> Coordinates:
> Department of History
> University of California, Santa Barbara
> Santa Barbara, CA 93106-9410
> TEL: 805.893.2665
> WEB: http://www.history.ucsb.edu/people/person.php?account_id=14
>
>
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
> HOW TO SUBSCRIBE: click on the link to the list you wish to
> subscribe to. In the page that will appear ("info page"),
> enter e-mail address, name, and password in the fields found
> further down the page.
>
> HOW TO UNSUBSCRIBE: on the info page, scroll all the way
> down and enter your e-mail address in the last field. Enter
> password if asked. Click on the unsubscribe button on the
> page that will appear ("options page").
>
> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page,
> find the "Set Digest Mode" option and set it to either on or
> off.
>
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[Yasmin_announcements] art and darwin on yasmin2 ning

Dear yasminers

I have just created a discussion group on the YASMIN2 NING on the topic

The Arts in the Context of Darwinian Theory Today

This is in connection with the by invitation symposium
on this topic that will be held by IMERA at the Maison
Mediterraneen des Sciences de l'Homme in Aix en Provence
on October 22 2009.

http://yasmin2.ning.com/events/the-arts-in-the-context-of

Yasminers that would like to attend
this symposium can contact me at rmalina@prontomail.com
please send bio and details on your involvement on this topic.

If you are interested in discussing the topic , whether or not
you can come to the symposium please join the ning group

http://yasmin2.ning.com/group/theartsinthecontextofdarwiniantheorytoday

Roger Malina

Preliminary program is:

« Art, culture, théorie de l'évolution »


Jeudi 22 octobre 2009

: « Neuroesthétique ? »
Jean-Pierre CHANGEUX, Jean VION-DURY, Jacques ARNOULD,

« Art/savoirs/public »
Samuel BORDREUIL, Jean GAGNEPAIN , Chu-Yin CHEN

: « Cultures animales et Vegetales»

Dominique LESTEL :
Annick BUREAUD
Louis BEC
Ramon GUARDANS

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[Yasmin_discussions] artists and atoms: fission and fusion

patrick et yasminers

re art and nuclear waste storage of course

we can mention the work of Stefan Shankland

http://www.ch
elsea.arts.ac.uk/17191.htm
Nucle-R - 3 year research program (2002-2005) on a Plastic Approach to
Nuclear Waste. Conducted in collaboration with the CEA (France's
nuclear research authorities) the program included publication, public
presentations, a permanent large sale multimedia installations,
commissioned art works, films and a DVD publication. Key outcomes
include:
2006 Permanent large sale multimedia installation and films for the
Visiatome, a new museum on nuclear waste France.
2004 '4 propositions for an integrated art approaches to nuclear
waste', CEA, Marcoule, France.


and for an interesting recent announcement:

http://www.world-nuclear-news.org/WR-The_art_of_radioactive_waste_storage-1604094.html

The Netherlands' centralized radioactive waste processing and storage
facility has agreed to help local museums store their artefacts and
works of art in its unused storage space for up to 100 years.

Museums in the Zeeland region of the Netherlands, where the Central
Organization for Radioactive Waste (Covra)
facility is located, have endured a shortage of storage space for the
artefacts that are not on display. This represents some 90% of their
stock.

Covra said that a pilot project was started in 2008 to determine
whether a radioactive waste storage facility is suitable
as a museum depot, to identify optimal conditions and equipment. The
pilot was successful and now at least seven
regional museums will start storing artefacts in a low- and
intermediate-level waste (LLW/ILW) store.


roger
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HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to. In the page that will appear ("info page"), enter e-mail address, name, and password in the fields found further down the page.

HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter your e-mail address in the last field. Enter password if asked. Click on the unsubscribe button on the page that will appear ("options page").

HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set Digest Mode" option and set it to either on or off.

[Yasmin_discussions] Artists and atoms: fission and fusion

Dear All,

As our YASMIN discussion for June winds down, I'd like to thank everyone for
the stimulating ideas.

The main point I will take away from this concern mostly the prevalence of
negative images of nuclear fusion (bombs, reactors) that frame much of the
public's perception. This is despite the uses of nuclear isotopes, as
Gabrielle notes, for medical applications, an idea which dates back to
Ernest Lawrence's cyclotrons of the 1930s. This makes me wonder about the
uphill path projects like ITER might have to take if they are going to
convince the public that fusion/fission projects, et al. are safe and
desirable as well as scientifically interesting.

One thing that I don't think came up - with discussions about how to store
nuclear waste long-term - what are ways in which artists have been called
upon to provide signs and symbols to make it clear what is buried deep in
the ground at a site like Yucca Mountain in Nevada 1000 years from now?

I also found it interesting that our discussions unfolded in the context of
North Korea's second nuclear test as well as political upheaval in Iran, a
near-nuclear state (the idea of which brings up the whole question of what
does it mean for a nation to become a "nuclear state.")

While I knew something about art mobilized to promote and protest the atom
in the United States, I remain interested in what these images looked like
in other contexts - UK, France, India, China, and especially the USSR during
the Cold War.

Finally, the emergence of discussion about representing atoms at the
nanoscale was an interesting albeit surprising turn. But people who study
public perceptions of risk often draw parallels to fears about environmental
and health issues around nanoscale materials to earlier worries about
nuclear power...so maybe this topic has more mileage to go.

Cheers,
Patrick
--
W. Patrick McCray
Professor &
Co-PI/Executive Committee Member for the
UCSB Center for Nanotechnology in Society

Coordinates:
Department of History
University of California, Santa Barbara
Santa Barbara, CA 93106-9410
TEL: 805.893.2665
WEB: http://www.history.ucsb.edu/people/person.php?account_id=14


_______________________________________________
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Yasmin URL: http://www.media.uoa.gr/yasmin

HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to. In the page that will appear ("info page"), enter e-mail address, name, and password in the fields found further down the page.

HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter your e-mail address in the last field. Enter password if asked. Click on the unsubscribe button on the page that will appear ("options page").

HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set Digest Mode" option and set it to either on or off.

[Yasmin_discussions] Tr: art- nuclear discussion

______________________________________________________________

MUSIC-SYNTHESE / ART et DESIGN SONORE /www.music-synthese.com
Tél. +33(0)6.67.22.17.70 / E-mail. contact@music-synthese.com
______________________________________________________________
Merci de penser à l'environnement avant d'imprimer ce message

[Yasmin_announcements] Mobilefest Calls - Extended up to 15th July

We've extend Mobilefest call for papers/videos up to July 15th.

Call for videos
http://www.mobilefest.org/conteudo_eng.aspx?id=16

Call for papers:
http://www.mobilefest.org/conteudo_eng.aspx?id=105

All the best,
Paulo Hartmann


CALL FOR PAPERS____________________________________________________


IV MOBILEFEST 2009 - International Festival of Mobile Art and Creativity
Call for Papers, Projects, Prototypes and Products.


THEME
How can mobile technology contribute to democracy, culture, art,
environment, peace, education, health and the Third Sector?


KEY WORDS
3g, mobile applications, interactive architecture, electronic art,
mobile activism, bluetooth, cyber culture, live cinema, mociology,
culture, democracy, inclusion design, ecology, education, d-i-y, gprs,
gps, LBS, innovation, mobile and wireless games, lbs, locative,
geotagging, electronic music, mobile music, m-health,_m-payment,
m-gov, mobile narrative, peace, interactive net performances with
mobile and wireless devices, interchange, video production and
distribution, augmented reality, open wireless, mesh, social nets,
rfid, expanded classroom, health, sms, mobile streaming, wearable
technolgies, tendencies, third-sector, citizen video, video call, TV
on mobile, wi-fi, wi-max, zigbee, etc.


INTERNATIONAL SEMINAR AND EXHIBITION
This seminar attracts leading academics, researchers and other
serious-minded people engaged in the pursuit of knowledge related to
mobile technology. Mobilefest seeks papers for live presentation.

For the participation at the exhibition with interactive
installations, performances or urban interventions send a detailed
technical rider: installation plan, photos, video and complete
description.


PAST TOPICS
activism, art and technology, democracy, digital divide, ecology and
e-waste, games and behavior, inclusive design, innovation, locative
media, licensing, m-government, m-learning, mobile art, mobile
marketing, mobile music, network culture, new forms of distribution,
performance, rfid, video mobile production, wearable technology,
wireless cities.

CRITERIA
Papers should be of an academic or serious research nature. Papers
should address current topics of direct relevance to Mobilefest's
theme. Abstracts should be at least 500 words.

Final papers should be at least 1000 words long, and authors should be
prepared to deliver a presentation limited to 45 minutes.


TECHNICAL SPECIFICATIONS
Papers may be written in Portuguese, Spanish or English.
Abstracts and final papers should be sent as email attachments in
.TXT, .RTF, .DOC or PDF format.

Presentations must be delivered in Portuguese or English.
Presentations will be limited to 45 minutes total.


DEADLINE
Abstracts must be received no later than 15th July 2009.
Abstracts will be selected for presentation by 15th August 2009.
Notification will be made via this website, as well as to the
applicant's listed contact email.


REGISTRATION FOR AUTHORS _
Registration must be received by 15th July 2009. Please submit the
following information via email to 2009@mobilefest.org:

Author's Full name:
Email address:
Optional 2nd email address:
Postal address:
City:
State:
Country:
Postal Code:
Landline telephone number:
Mobile number:

(Optional) University/Organisation/Company:_

Abstract Category (Please mark all that apply):
____Democracy
____Culture
____Art
____Environment
____Peace
____Education
____Health
____Third Sector
____All **

** MOBILEFEST is a transdisciplinary event.
The more interconnection of information, the better.

Short biography of principal author:
Abstract (minimum 500 words):


CALL FOR VIDEOS____________________________________________________


IV MOBILEFEST 2009 - International Festival of Mobile Art and Creativity
Call for mobile videos 2009

Mobilefest International Mobile Video Exhibition
17th to 28th September 2009
MIS - Museum of Image and Sound (Museu da Imagem e do Som) Sao Paulo,
Brazil.

THEME: How can mobile technology contribute to democracy, culture,
art, environment, peace, education, health and the Third Sector?

Mobilefest Call for Mobile Videos has a cultural emphasis and, thus,
is not competitive by design. We seek the very best content possible
to share broadly with our participants and via mobile technologies.
The 2009 Call for Mobile Video is for professional
filmmakers/videographers (writers/producers/directors), as well as
amateurs (people that do not make their primary living in the
film/video business). Mobilefest also seeks participation and
contribution from artists, researchers and developers actively engaged
in discovering new possibilities for uses of mobile media.


OVERVIEW
Today, several initiatives by non-governmental organizations (NGOs),
universities, media centers, companies, governments and regular
citizens all over the world use the new mobile technologies to promote
democracy, culture, art, the environment, peace, education, health and
the Third Sector. Mobilefest International Mobile Video Exhibition
will screen selected narrative, documentary and experimental
film/videos that support these.


GENERAL SUBMISSIONS
Films and videos submitted should relate to one or more of the stated
Mobilefest general theme categories (democracy, culture, art, peace,
the environment, education, health, and the Third Sector). Video about
the environment is separately considered.

1. Professional Submissions
Mobilefest seeks films/videos that may be narrative, documentary or
experimental in nature, provided they relate to democracy, culture,
art, peace, education, health and the Third Sector. They must be
suitable for viewing on a small format, although they need not have
been shot using mobile technology. Running time is not restricted.
Films/videos can be independent, studio produced, or corporate
sponsored.

Criteria

Submissions must be professionally produced/directed and may be
submitted either by the writer, director or producer(s). Videos
should have been completed during the previous year, although
exceptions will be allowed with advance permission from Mobilefest
organizers. Previously submitted entries may not be resubmitted.

2. Amateur Submissions
Citizen filmmakers and videographers unite! Submit your creations
that were made either using your mobile phone, or made for watching on
a mobile. Whether telling a story or documenting something, you can
submit your video as long as it relates to any of the themes of
Mobilefest.


ENVIRONMENT SUBMISSIONS
A significant aspect of Mobilefest is its commitment to screen
informative and consciousness-raising digital content (shot either by
professionals or amateurs around the world) that encourages the
mobilization of everyone to protect and preserve our planet for
generations to come.

Mobilefest calls on all mobile users around the world - professional,
amateur, citizen journalists, etc. - to mobilize for the protection of
the environment by sending noteworthy videos of the environment from
their mobiles or computers. In addition to images that may reveal
lack of respect towards our Earth - like illegal cutting of trees,
water pollution, wild animal smuggling, or other irregularities -
Mobilefest also seeks videos that show the beauties of nature to draw
attention to what future generations will miss if we don't take action
now to preserve and protect Mother Nature.

Criteria

- Only the rightful owner of material may submit it. Material may not
be submitted by third parties on behalf of anyone else.
- Submissions may include fiction and non-fiction films/videos that
reflect the issue of environmental protection.
- Submissions need not be professionally produced or directed.
- Special attention will be given to documentary footage - either
professional, amateur or citizen journalist - that captures
environmental mistreatment. If your video documents acts being
committed against the environment, please include date, approximate
time and place of shooting, and total running time of the video.


NEW MOBILE MEDIA POSSIBILITIES
Mobile and wireless technologies are making it possible for artists of
all kinds to stretch the boundaries of their creativity. Mobilefest
encourages producers, developers and artists to explore their
imagination in search of new artistic expression that uses current
technology and hints at future possibilities for content production
and distribution.

Mobilefest Festival seeks artwork, video and mobile-related creativity
that incorporates such technologies as GPS; 3G/4G access; music;
wi-fi; scanning; video calls; micro-blogging; picture and video
messaging; new applications; localized content; real-time image
processing and recognition; augmented or mixed reality; streaming
video sharing; and mobile TV.

Criteria

We are looking for innovative and unique submissions that defy easy
categorization or prerequisites, so if you have something you believe
we should include, please send us a brief description (up to 500
words) of your project or digital artwork and then we will contact
you.

Please send your email to videos2009@mobilefest.org, ATTN: Paulo
Hartmann and Marcelo Godoy, and include the phrase NEW MEDIA
POSSIBILITIES in the subject line.


SHOWCASE OF MOBILE FESTIVALS WORLDWIDE
>From its very beginning in 2006 Mobilefest has built an international
network of festivals that involve content production created by or for
mobile applications. Our goal is to share with the Brazilian audience
what others are doing concurrently around the world, and to present an
expressive exhibition of the extraordinary emerging mobile video
scene.

Universities, media centers, cultural associations or companies that
have produced or curated festivals about videos created for or by
mobiles are encouraged to participate. We will work closely with
foreign embassies and cultural centers of your country of origin so
that the organizer/representative of your festival also can
participate in Mobilefest International Seminar.

Mobilefest receives extensive media coverage throughout Brazil. The
festivals represented will be included in Mobilefest's official
programme and have their logos published in the official catalogue.

Past international festivals represented have included:
. Mobifest Canada?(Canada)
. Pocket Shorts?(England)
. Pocket Films (France)
. Arte Mov?(Brazil)
. Microfilmes?(Portugal)
. The 4th Screen?(USA)
. FilMobile (UK)
. MobilityFest (Colombia)

To participate in the Exhibition of Mobile Festivals
We request that you send us, by email, some background information
about your festival, as well as a representative clip-reel of up to
1-hr. that characterizes the content and nature of your unique
festival. Please see technical specifications below.

Please send your email to videos2009@mobilefest.org,
ATTN: Marcelo Godoy and Paulo Hartmann, Mobilefest organizers, and
include the phrase SHOWCASE OF FESTIVALS in the subject line of your
email.


REGISTRATION/DEADLINE
All submissions are due no later than 15th July 2009
Selections for screening will be announced on 15th August 2009, via
this website and the registered director/producer also will be
informed via email.
Registration fee: Free

Registration should be sent by email to videos2009@mobilefest.org,
with the word REGISTRATION in the subject line, with the following
information:

Director's (Producer's) Full name:
Email address:
Optional 2nd email address:
Postal address:
City:
State:
Country:
Postal Code:
Landline telephone number:
Mobile number:

Description (maximum 200 words):

Tags:

Video Category (Please mark all that apply):
____Democracy
____Culture
____Art
____Environment
____Peace
____Education
____Health
____Third Sector
____All

Short biography of submitting writer, director or producer:


TECHNICAL SPECIFICATIONS FOR ALL SUBMISSIONS
Subtitles
If dialogue is not in Portuguese, English or Spanish, please include
subtitles in one of these languages.

Acceptable formats for all video submissions
Digital: 3GP, MPEG2, AVI, MOV?Files.
Can be up to 5Mb, with minimum resolution 128 x 96 pixels and maximum
resolution 720 x 480 pixels.

(Non-digital) Physical:?DVD, DV, Mini-DV, must be NTSC format.

Videos should be accompanied by the following information:
. A brief description (max. 200 words)
. Technical information (including total running time; year shot);
. Whether or not video has been broadcast and if so, where/when;
. Names of primary production crew.

Please submit this descriptive information as an email attachment in
.RTF, .DOC or PDF format.

Additionally, please include three (3) stills from the video in JPEG
(640 x 480 pixels), no compression, from 100kb to 500kb, with 200 dpi
resolution.

HOW/WHERE TO SEND
Videos up to 5 MB should be sent to: videos2009@mobilefest.org

Videos up to 50MB can be sent to mobilefestfestival@gmail.com

Videos over 50MB must be sent on physical media (DVD, DV, Mini- DV,
NTSC-only), to the following address:

Mobilefest
R. Helena, 280, cj. 1107
Sao Paulo - SP - Brazil
CEP 04552-050
ATTN: 50 MB+ video

You must send your submission with some sort of tracking or return
receipt (or proof of signature) to verify our receipt. Mobilefest
cannot be responsible for materials that never arrive. Materials will
not be returned. DO NOT SEND YOUR ONLY COPY!!!


MOBILEFEST COLLECTION
All materials sent will become part of Mobilefest's permanent video
collection. You consent to its possible use in conventional or
digital media, advertising and/or promotional materials for
Mobilefest, or at any venues related to Mobilefest, including but not
limited to school concerts, university functions, and social
gatherings. In such instances where any recognizable portion of your
video is used, Mobilefest will make best efforts to give credit to the
writer, director or producer who originally submitted the material.


QUESTIONS?
Please email us at videos2009@mobilefest.org


Important: Registrations will be considered complete and valid only
when the festival receives the emailed registration form and
corresponding DVD or video file (or physical entry). Registration
forms must be submitted electronically. You may send an additional
hard copy of your registration with a physical entry for
identification purposes, but you must submit your official
registration electronically.


Paulo Hartmann

skype:
paulohartmann

mobile: +5511 94531314
office: +5511 35257428

((((((MOBILEFEST))))))
~~~~~~~~~~~~~~~~~~~~~~
www.mobilefest.com.br
Rua Helena 280, 1107
04552-050
Sao Paulo
Brazil
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Yasmin URL: http://www.media.uoa.gr/yasmin

HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to. In the page that will appear ("info page"), enter e-mail address, name, and password in the fields found further down the page.

HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter your e-mail address in the last field. Enter password if asked. Click on the unsubscribe button on the page that will appear ("options page").

HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set Digest Mode" option and set it to either on or off.