Wednesday, July 14, 2010

[Yasmin_discussions] Announcing new discussion topic on the subject of "The hybrid city as an interface"

Dear YASMINers,

A moderated discussion on the subject of "The hybrid city as an interface"
will take place in the YASMIN_discussions mailing list forum
(www.media.uoa.gr/yasmin), starting from today and until the end of July.
The discussion will be moderated by Dimitris Charitos and Prof. Martin
Rieser, along with Daphne Dragona, Haris Rizopoulos and Iouiliani Theona as
respondents. We intend to continue the discussion, if there is interest from
list participants, after the summer.

Below you will find a text with more info on the particular discussion
topic. Also we have attached short CVs of all respondents who will
participate.

We are looking forward to you participation and involvement.

Kind regards

Dimitris Charitos
Assistant Professor, Department of Communication and Media Studies
University of Athens


"The hybrid city as an interface"

In the beginning of the 21st century, urban environments, within which
social life evolves, are radically being reordered by technological systems
and networks. Mobile telephony has restructured the way people socialize
within urban space (Plant, 2001). Multi-user virtual environments redefine
the meaning of mediated communication by immersing communicating
participants into a synthetic spatial context. ICTs and new media may also
be used for augmenting physical environments in order to communicate
meaning. The contemporary urban environment already incorporates various
kinds of representations of reality, communicated to us all via various
media and appropriate display systems (most of these representations are
visual, i.e. billboards, video projections, wall paintings, closed circuit
TV, touch screens, etc). These environments may also incorporate systems
that capture visual, auditory, and other types of information regarding
human activity and, consequently, utilize this input to affect the process
of generating digital representations. The most advanced form of such
systems is pervasive and ubiquitous computing systems (Weiser, 1991). It
could then be suggested (Charitos, 2005) that the incorporation of
information and communication technology (ICT) systems results in an
electronic enhancement of the everyday urban environment and that
communication with these environments and with other citizens who exist and
act within them is mediated by these systems.

The convergence of new mobile telecommunication networks, geographical
positioning systems and interactive graphical interfaces on mobile devices,
as they are already being utilized in a series of location-based activities,
have begun to reveal the potential for new forms of interpersonal
communication. These systems may allow groups of people to interact with
each other, while being aware of each other's location at all times via
representations on mobile interfaces, which have a predominantly spatial
character. The synchronous experience of a mobile spatial interface and of
the non-mediated physical environment, ultimately affords a hybrid
(synthetic and physical) spatial experience, in the context of which novel
forms of social interaction and cultural practices may occur.

Hybrid cities could therefore be seen as spatial interfaces affording
experiences which involve both virtual and physical spatial elements and
information and which may synchronously support computer-mediated and
interpersonal communication. Such emerging types of communication may lead
to revolutionary new ways of inhabiting urban space, ultimately transforming
the way we perceive, experience and think about our cities and our everyday
life within them. These developments certainly call for reconsidering the
way in which urban environments are conceived of and designed, by taking
into account the incorporation of these ICT systems, since they are
inseparably woven into the fabric of everyday life within the urban context.
What is even more important, however, is the impact of these phenomena on
everyday life in the city, at a social and cultural level.

The "Hybrid City as an Interface" discussion will attempt to approach a
series of issues relating to the emergence of these phenomena and will
mainly focus on the following topics:
. user generated maps & collective cartographies : issues of
appropriation and expropriation
. the internet and the metropolis: similarities between the virtual
space and the real space as factories of knowledge and information
. the city as a gamespace: tracing the playful features of the new
modes of interactivity and participation
. psychogeographies & the contemporary city: discussing the wide use
of a 60s situationist notion for the definition of digital city
interventions and applications
. Whose city exactly? Reconsidering spatial production processes
through ludic, user inter-actions within the urban context.
. Which side are you on (on the threshold)? Outlining the relations
between the virtual and physical experience of the city, as well as the new
social dynamics of this hybrid urban context for everyday life.

References
Charitos, D. (2005). Virtual reality: A new kind of human-computer interface
or a new communication medium? Issues of Communication, 2, 83-99, Athens:
Kastaniotis.
Plant, S. (2001). On the mobile: The effects of mobile telephones on social
and individual life. Study commissioned by Motorola. Retrieved August 2,
2007, from http://www.motorola.com/mot/doc/0/234_MotDoc.pdf
Weiser, M. (1991). The computer for the twenty-first century. Scientific
American, 265(3), 94-104.

BIOGRAPHICAL INFO of DISCUSSION RESPONDENTS

Dimitrios Charitos is an assistant professor at the Faculty of Communication
and Media Studies of the University of Athens. He teaches "Human-Computer
Communication", "Art & Technology", "Visual Communication", "Mediated
Environments". He has studied architectural design, computer aided design
and has a PhD on interactive design and virtual environments. He has taught
at an undergraduate and postgraduate level since 1994 in Scotland and
Greece. He has authored or co-authored more than 70 publications in books,
journals or conference proceedings. His artistic work involves electronic
music, audiovisual, non-interactive or interactive, site-specific
installations and virtual environments. (www.media.uoa.gr/~charitos)

Professor M. Rieser is a Media Artist and Theorist based in Bristol.
Professor of Digital Creativity at De Montfort University. 2000-7 Professor
of Digital Arts and Senior Teaching Fellow Bath Spa University , was
Principal Lecturer in Digital Media at Napier University in Edinburgh at the
Department of Photography, Film, and Television 1997-2000. and in post as
Senior Lecturer in Electronic Media at UWE Bristol between 1986 - 1998. He
set up one of the first post-graduate courses in the country in Digital Art
and Imaging at the City of London Polytechnic, now the London Guildhall
University 1980-85. His teaching and practice centres on new types of
interactive art which use non-linear narrative in new media through
Locative, interactive installations, networked art projects and
collaborations with architects. He has acted as consultant to bodies such as
Cardiff Bay Arts Trust , NESTA, Arkive, AHRC the Photographers Gallery
London. External Examiner at UIAH Helsinki, St Martins University of the
Arts and Glamorgan University Professor of Digital Ats at Bath Spa
University 2000-2007. He recently edited: New Screen Media: Cinema/
Art/Narrative (BFI/ZKM,
2002)- which combined a DVD of current research and practice in this area
together with critical essays . He was on AHRB research leave during 2004-5
creating a new locative work for Bath Abbey called Hosts 2006, which used
mobile and positional technologies combined with interactive sound and video
and has just authored a book on Locative Media Arts called The Mobile
Audience shortly to be published by Rodopi.

Daphne Dragona is a media arts curator based in Athens. Her exhibitions and
events the last few years have focused on the notion of play and its merging
with art as a form of networking and resistance. She has worked with Fournos
Center for Digital Culture (Greece) , LABoral Art and Industrial Creation
Centre (Spain), Alta Tegnologia Andina (Peru) and with the National Museum
of Contemporary Art in Athens. She is also a PhD candidate in the Faculty of
Communication & Media Studies of the University of Athens and a member of
the Personal Cinema collective.

Charalampos Rizopoulos is a researcher at the Department of Communication
and Media Studies of the National and Kapodistrian University of Athens.
After graduating from the aforementioned department in 2003, he obtained a
MSc in Interactive Multimedia Production from the University of
Huddersfield, UK. He is currently a doctoral candidate, conducting research
on the communicational aspects of interacting with intelligent environments.
His research interests include human-computer interaction, ubiquitous
computing, virtual reality, multimedia, spatial cognition, adaptive systems,
and computer games.

Iouliani Theona is a practising architect and a researcher. She studied at
the School of Architecture of the Aristotle University of Thessaloniki and
later obtained a Degree from the Inter-Departmental Postgraduate Programme:
Architectural Design - Space - Culture, in the School of Architecture of the
National Technical University of Athens.
She is currently a PhD Candidate in the aforementioned institution, focusing
on subjects such as pervasive games and spatial perception.

********************************************************************
Dr. Dimitrios Charitos
Assistant Professor, Department of Communication and Media Studies
National and Kapodistrian University of
Athens                                       
e-mail: vedesign at otenet dot gr
URL: www.media.uoa.gr/~charitos

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[Yasmin_discussions] [V!RUS 04] Call for papers

[V!RUS 04] Call for papers

Dear Yasminers,

On behalf of the Editorial Board of the journal V! RUS, edited by the
research group Nomads.usp, University of São Paulo, Brazil.


We would like to invite you to submit contributions to the number FOUR
which theme is DESENHANDO Coexistência | DESIGNING Coexistence,
More information and deadlines you can find at:
http://www.nomads.usp.br/virus/virus03/nextissue/layout.php?item=1 and click
on next issue.


We would also like to invite you to know the number THREE, already online,
on the subject SISTEMA | SYSTEM at:
http://www.nomads.usp.br/virus/virus03/



Thanks if you can disclose that call on your professional and institutional
mailing lists
and through social networks via the Internet.

Sincerely yours,

prof. dr. anja pratschke
universidade de são paulo, brasil
departamento de arquitetura e urbanismo . eesc
nomads.usp núcleo de estudos de habitares interativos
<http://www.nomads.usp.br> www.nomads.usp.br
t. +55 16 3373.9302 / 3373.8297 | f. +55 16 3373.9310

revista V!RUS | V!RUS journal
www.nomads.usp.br/virus

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Sunday, July 11, 2010

[Yasmin_discussions] from Costis FLUXFACE participation

Hello
See my post at:
http://fluxfaceinspace.blogspot.com/2010/06/costis-16.html


You Are Go For Launch!

Congratulations! NASA appreciates your interest in space flight. You have completed the steps to submit your face or name to fly in space on Space Shuttle Mission STS-133. Welcome aboard!

If you would like a printed certificate verifying your flight into space, return to this site after landing and print your Flight Certificate. Please print this page for your records.

Your Mission
STS-133

Scheduled Launch Date
Thursday, September 16, 2010

Your Confirmation Number
STS133P000180451694

Date Certificate Ready for Printing
Saturday, September 25, 2010


--
Thank's
http://fluxfaceinspace.blogspot.com/

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Wednesday, July 7, 2010

[Yasmin_discussions] digital humanities in astronomy and in india, and impact on art science collaboration

yasminers


Here below is an item on digital humanities in india=

the term digital humanities normally includes
the arts also= and seeks to look at ways that
digital technologies changes the kinds of research
that can be done and what new questions can be
addressed that could not be broached without such
technologies

in my own field of astronomy= the emergence
of "virtual observatories' which allow cross
database/instrument/date research has opened
up new fields of astronomy that just could not be
worked on before

an example of a new project that takes advantage
of all of this is the arge Synoptic Survey Telescope

http://www.lsst.org/lsst

which with a 3200 megapixel camera will survey the whole
sky repeatedly = opening up analysis of the sky on many
time scales not previously studyable- digital technologies
"enable' new research topics

concerning our art science collaboration topic=it is clear
that the advent of digital humanities opens up new
territories for art science collaboration

an example of a newly opened collaboration territory
that IMERA (www.imera.fr) will be working on with the new
residents is on complex networks in art and science=
a team from Turin will be in residence working on
complex networks in public spaces- with artists involvement

roger


CENTRE FOR CONTEMPORARY STUDIES
URL: http://ces.iisc.ernet.in/hpg/ragh/ccs/Welcome.html

In collaboration with

Centre for Internet and Society
http://cis-india.org/


Presents a Talk on

Digital humanities: How social sciences may benefit from the digital
revolution


by

Dominique Boullier
Professor at Sciences Po Paris

Date & Time: Friday, 9th July, 2010, 4.00 p.m.
Venue : CENTRE FOR CONTEMPORARY STUDIES Seminar Hall
(Formerly TIFR Mathematics Building) Indian Institute of Science,
Bangalore 560012

All are cordially invited
Tea/Coffee will be served at 3:30 p.m.


Abstract: This talk is in the context of the shift from traditional uses of
digital power: databases, online questionnaires, and statistic analyses, to
new uses of digital techniques for exploring digital data: producing
datascapes from the huge amount of unstructured expressions on the web and
from the traces left by various kinds of behaviour. Starting with an example
from the sociology of controversies redesigned by web crawling and
visualization techniques, the speaker raises the following questions: How
can we fill the gap between qualitative and quantitative analysis by using
digital networks resources? How can we fill the gap between individual and
structure when analyzing a phenomenon through digital lenses? In assessing
the opportunities in the studies of social phenomena offered by using
digital tools and web sources of data, the speaker seeks to demonstrate that
it gives room for new social theory that can get rid of the concepts of
"institutions", "market" and "emergence" as unquestioned a priori.

----------------------------------------------------------------
Raghavendra GADAGKAR,
INSA SN Bose Research Professor & JC Bose National Fellow
Centre for Ecological Sciences, Indian Institute of Science
Bangalore, 560012, India.
----------------------------------------------------------------
Chairman, Centre for Contemporary Studies, IISc, Bangalore
Hon. Prof., Jawaharlal Nehru Centre for Advanced Scientific Research
Non-resident Permanent Fellow, Wissenschaftskolleg zu Berlin
Foreign Associate, National Academy of Sciences, USA
Adjunct Prof., Indian Institute of Science Education and Research, Kolkata
Chairman, Research Council for History of Science, Indian National
Science Academy, New Delhi
----------------------------------------------------------------
Telephone (O): 91-80-23601429; 22932340; (R): 91-80-23601758
Fax: 91-80-23602121; 23601428
E-mail: ragh@ces.iisc.ernet.in
URL: http://ces.iisc.ernet.in/hpg/ragh
----------------------------------------------------------------
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Tuesday, July 6, 2010

[Yasmin_discussions] introduction and announcement

Hi!

I recently signed up to receive YASMIN announcements and would like to
present myself to the online community. Thank you for sharing this
information with Yasminers!
Cordialement,
Jessica

*Jessica Resmond* is a French American artist who received her Bachelor of
Fine Arts from California College of the Arts, San Francisco. She is
relocating to Marseille this summer. Resmond's work is conceptual and
tactile. Its main interest lies within the existing tensions between
biological rhythms & organisms, and the fast pace technology/economy driven
global landscape. With a background in biology/psychology and a deep
interest for nature's ever evolving creative designs, her process, is one of
constant research. Borders and boundaries are where exchanges take place,
where transformation is possible and new understanding arise. Her work
includes site specific installations, interactive or multimedia sculptures
and experimental collaborations.
http://www.jessicaresmond.com
http://www.meicollectiv.com


Jessica Resmond is currently participating, as an artist and arts/community
organizer in two separate projects.
1 Soundwave Festival ((4)) Green Sound in San Francisco, US.
2 "Florilegio", an art exhibit on biological diversity in Bogota, Colombia:
to celebrate 2010 as International Year of Biodiversity.
1.The Illuminated Forest - SOUNDWAVE FESTIVAL ((4)) GREEN
SOUND<http://www.projectsoundwave.com/>

*Featuring sound selections by Luc Meier with exhibition artists Jorge
Bachmann, Agnes Szelag, Ben Bracken, Alan So, Suzanne Husky, Sam Easterson,
Alyce Santoro, Reenie Charrière, Vaughn Bell, Elin Øyen Vister, Jessica
Resmond*

In Soundwave Festival's most ambitious presentation ever, Green Sound mounts
a special month-long exhibition and performance residency at The Lab. The
Illuminated Forest is an imaginary world inside the gallery walls of San
Francisco's preeminent experimental art space that features a large
immersive multi-media and interactive exhibit and performance installation
from the collaborative minds of *Agnes Szelag, Ben Bracken, Jorge Bachmann*and
*Alan So*, and environmental artist works by *Vaughn Bell, Alyce Santoro,
Sam Easterson, Reenie Charrière, Suzanne Husky, Elin Øyen Vister*, and *Jessica
Resmond*
http://www.projectsoundwave.com/

2."Florilegio <http://dancingelephantprojects.com/en/proactual.php#artistas>",
an art exhibit on biological diversity in Bogota, Colombia: to celebrate
2010 as International Year of Biodiversity.*Artists*
Francis Baker (US-San Francisco)
Camila Barreto (Colombia-Bogotá)
Adriana Berrío (Colombia-Bogotá)
Yenifer Cano (Colombia-Medellín)
Natalia Castañeda (Colombia-Bogotá)
Camila Gallego (Colombia-Bogotá)
Chris Jordan (US-Seattle)
Kirk Maxson (US-San Francisco) MEI Collective (US-San Francisco)
Christine Nguyen (US-Los Angeles)
Heather Patterson (US-Lake Tahoe)
Andrea Posada (Colombia-Medellín)
Esther Traugot (US-Sebastopol)
Aníbal Vallejo (Colombia-Medellín)
Pedro Vega Giraldo (Colombia-Bogotá)
http://dancingelephantprojects.com/en/proactual.php#artistas


**
--
Jessica Resmond
(415) 794-1033

www.jessicaresmond.com
www.meicollectiv.com


ME'DI.ATE
GREEN SOUND FESTIVAL 2010
www.me-di-ate.net
www.projectsoundwave.com
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[Yasmin_discussions] digital humanities manifesto

YASMINERS

you may be interested in the Digital Humanities Manifesto that is being
signed:

the english version is at

http://tcp.hypotheses.org/411

it has connections to the Open Observatory Manifesto:

http://www.leoalmanac.org/index.php/lea/entry/an_open_observatory_manifesto/


roger malina

here is the text
sign it on line
at http://www.digitalhumanities.cnrs.fr/wikis/tcp/index.php?title=Manifeste

We, professionals or observers of the digital humanities (humanités
numériques) came together in Paris for THATCamp on May 18th and 19th,
2010.

Over the course of these two days, we discussed, exchanged, and
collectively reflected upon what the digital humanities are, and tried
to imagine and invent what they could become.

At the close of the camp – which represents but a first step – we
propose to the research communities, and to all those involved in the
creation, publication, valorization or preservation of knowledge, a
manifesto for the digital humanities.
I. Definition

1. Society's digital turn changes and calls into question the
conditions of knowledge production and distribution.

2. For us, the digital humanities concern the totality of the social
sciences and humanities. The digital humanities are not tabula rasa.
On the contrary, they rely on all the paradigms, savoir-faire and
knowledge specific to these disciplines, while mobilizing the tools
and unique perspectives enabled by digital technology.

3. The digital humanities designate a "transdiscipline", embodying all
the methods, systems and heuristic perspectives linked to the digital
within the fields of humanities and the social sciences.
II. Situation

4. We observe:

- that experiments in the digital domain of the social sciences and
humanities have multiplied in the last half century. What have emerged
most recently are centers for digital humanities – which at the moment
are themselves only protoypes or areas of application specific to the
approach of digital humanities;

- that computational and digital approaches have greater technical,
and therefore economic, research constraints; that these constraints
provide an opportunity to foster collaborative work;

- that while a certain number of proven methods exist, they are not
equally known or shared;

- that there are many communities deriving from shared interests in
practices, tools, and various interdisciplinary goals – encoding
textual sources, geographic information systems, lexicometry,
digitization of cultural, scientific and technical heritage, web
cartography, datamining, 3D, oral archives, digital arts and
hypermedia literatures, etc. – and that these communities are
converging to form the field of digital humanities.
III. Declaration

5. We, professionals of the digital humanities, are building a
community of practice that is solidary, open, welcoming and freely
accessible.

6. We are a community without borders. We are a multilingual and
multidisciplinary community.

7. Our objectives are the advancement of knowledge, the improvement of
research quality in our disciplines, the enrichment of knowledge and
of collective patrimony, in the academic sphere and beyond it.

8. We call for the integration of digital culture in the definition of
the general culture of the twenty-first century.
IV. Guidelines

9. We call for open access to data and metadata, which must be
documented and interoperable, both technically and conceptually.

10. We support the dissemination, exchange and free modification of
methods, code, formats and research findings.

11. We call for the integration of digital humanities education within
social science and humanities curricula. We also wish to see the
creation of diplomas specific to the digital humanities, and the
development of dedicated professional education. Finally, we want such
expertise to be considered in recruitment and career development.

12. We commit to building a collective expertise based upon a common
vocabulary, a collective expertise proceeding from the work of all the
actors involved. This collective expertise is to become a common good.
It is a scientific opportunity, but also an opportunity for
professional insertion in all sectors.

13. We want to help define and propagate best practices, corresponding
to needs identified within or across disciplines, which should derive
and evolve from debate and consensus within the communities concerned.
The fundamental openness of the digital humanities nevertheless
assures a pragmatic approach to protocols and visions, which maintains
the right to coexistence of different and competing methods, to the
benefit of both thought and practice.

14. We call for the creation of scalable digital infrastructures
responding to real needs. These digital infrastructures will be built
iteratively, based upon methods and approaches that prove successful
in research communities.

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[Yasmin_discussions] your moderator this week and upcoming Hybrid City as Interface

Yasminers

I am your YASMIN moderator over the coming week
from sunny and hot Marseille.

To new YASMIN members= when you join please
send a post introducing yourselves so we know
who just came into the e-room !!!

To all: please post to YASMIN as TEXT with no
attachments= the mailman drops non text
posts and attachments. If you get a b blank
message thats because the person posted
in htlm not text.

Dimitris Charitos is about to organise a new
discussion topic on "The Hybrid City as an Interface" =
in the meantime we would welcome ongoing discussion
around our "collaboration in art and science " topic.

How does one evaluate the success of a collaboration ?

I have one recent example:

Recently IMERA hosted an artist in resident in the
art-science- instrumentation program; His
name is Harold Vasselin, a film maker. he established
a collaboration with both ecology researchers and
astronomers and also local artists; They just installed
an installation for the international year of biodiversity
which includes artworks, but also scientific sensing of
the IR temperature of the sky, and detection of motion
in the climate change observatory; The project il leading
to the artists influencing the scientists and vice versa;

here is the details:

In Plant's Community - (dans la communauté végétale)
a proposition by Harold Vasselin

July 3 – August 30, 2010
Open everyday (except Tuesday and Sunday)
11am - 1pm and 4pm - 7pm.
Couvent des Cordeliers in Forcalquier (France) – free entrance.

In Forcalquier, the forest enters into the Convent of the Cordeliers
through the eyes of Harold Vasselin, Madeleine Chiche and Bernard Misrachi.

A creation by Harold Vasselin / Taxidermie Production –
madeleine chiche and bernard misrachi / groupedunes - technical
director Bruno Faucher
– digital director Luccio Stiz.

Produced by the Observatoire de Haute-Provence within the framework of
the event :
In the heart of the Provençal forests, an unsuspected biodiversity.
Meeting between Art, Sciences and Technology, for the International
Year of Biological Diversity,
with the support of the Region Provence Alpes Cotes d'Azur, the
municipality of Forcalquier and IMERA.

http://www.obs-hp.fr/presse/DossierPresse_OHP_Biodiversite_2010.pdf

roger malina

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