Sunday, November 24, 2019

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Yasmin_discussions Digest, Vol 19, Issue 3

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Today's Topics:

1. micro art science actions ( MASA) or a continuous conundrum,
conimbrum, quonundrum, conuncrum, and quadundrum (YASMIN DISCUSSIONS)


----------------------------------------------------------------------

Message: 1
Date: Sat, 23 Nov 2019 12:41:24 -0600
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] micro art science actions ( MASA) or a
continuous conundrum, conimbrum, quonundrum, conuncrum, and quadundrum
Message-ID:
<mailman.1.1574534814.5744.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset="UTF-8"

yasminers

I would like to pick up on Salome Cuesta proposal for 'micro-actions' in our
art-science communities of practice, and Diamond Berverly's idea of
a 'continous conundrum ( see below)

After 30 years as executive editor of leonardo, for the first time i am
now deeply engaged as a practitioner in art science collaborations. I
like to joke that astrophysics was so easy ! We all agreed on the
success criteria
and used the same concepts, methods and terminology. Plus we were very
well funded.

Thanks to Guillermo Munoz and colleagues at the University of
Valencia i received a PhD in Art
so I am now an artscience 'postdoc' with a phd in astrophysics and a
phd in art !

As James Leach pointed out in his Leonardo article (Extending
Contexts, Making Possibilities:
An Introduction to Evaluating the ProjectsJames Leach
https://cnrs.academia.edu/JamesLeach )
many many art science collaborations 'fail' in achieving their
original objectives. In our artscilab ( https://artscilab.atec.io/
)we have been arguing that there is a very big step between
inter/multi disciplinary collaborations and 'trans' disciplinary
collaborations which bridge very very different disciplines with very
very different personal and collective success criteria, and very very
different often
contractictory methods, concepts , terminologies- these are in Diamond
Berverly's term 'conundral;- see merriam webster

"The exact origin of conundrum isn't known with certainty. What is
known is that the word has been in use since the early 1600s, and that
it had various spellings, such as conimbrum, quonundrum,conuncrum, and
quadundrum, before the current spelling was finally established
sometime in the mid-17th century. One theory of origin suggests that
the word was coined as a parody of Latin by students at Oxford
University, where it appears to have enjoyed particular popularity in
its "word play" or "pun" sense. While the prevalent sense in this
century is that of the seemingly unanswerable question or problem,
frequently applied to heady dilemmas involving ethics, sociology, or
economics, the word is sometimes so loosely applied to anything
enigmatic as to be synonymous with puzzle or mystery."

One of the strategies we have been trying is "micro-projects" in
cuesta's terminology- we define them as
short duration ( weeks), projects which require no money or cash, only
gift exchange of time
and access to facilities, expertise etc ( the gift exchange vocabulary
comes from James Leach)

in the art sci lab we are approached continuously by 'stem'
professionals who want to collaborate.
Often they have antiquated ideas of what making art involves or
results in. Often they view
art as less primary in the 'tree of knowledge" ( ie in a branch not in
the trunk). Often they have
very different methods , concepts, terminology( we are trying to
develop transdisciplinary apprenticeships as part
of the approach). If a micro-project doesnt succeed, its likely that a
significant project wont in
our experience

I am delighted that a student research in our artscilab , Diamond
Beverly, has proposed:
"how do we go about including diverse voices and fostering
heterogeneous approaches instead unconsciously
excluding people from the conversation and thus creating a continuous
conundrum."

maybe the younger members of yasmin should weigh in, just as

from diamon berverly:I was very intrigued with your post last week
when you emphasized
educational spaces and work shop methodologies. I would like to know
how you define micro-actions. I also find such maker spaces and
hackathons a good step into the future of collaborative educational
space. A question that persists however is how these spaces find their
audience? And by this I mean how do we go about including diverse
voices and fostering heterogeneous approaches instead unconsciously
excluding people from the conversation and thus creating a continuous
conundrum.

so all latin students on yasmin go at it :
" One theory of origin of 'conundrum" suggests that the word was
coined as a parody of Latin by
students at Oxford University, where it appears to have enjoyed
particular popularity in its "word play"
or "pun" sense. While the prevalent sense in this century is that of
the seemingly unanswerable question
or problem, frequently applied to heady dilemmas involving ethics,
sociology, or economics, the word is sometimes so loosely applied to
anything enigmatic as to be synonymous with puzzle or mystery.

or maybe living in a continuous conundrum is a desirable state ?
certainly it is a state
that drives our artscience work

and HAPPY THANKSGIVING in the USA- though i always have misgiving about
giving thanks to our colonial ancestors who decimated the indian
populations !! there must be someone else to thank in our cultures !
Roger is almost in chicago 510-853-2007



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Saturday, November 23, 2019

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Friday, November 22, 2019

Yasmin_discussions Digest, Vol 19, Issue 2

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yasmin_discussions@ntlab.gr

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THIS IS THE YASMIN-DISCUSSIONS DIGEST


Today's Topics:

1. YASMIN response to salome cuesta (YASMIN DISCUSSIONS)
2. WWWWASP Discussion - Fourth Week (YASMIN DISCUSSIONS)


----------------------------------------------------------------------

Message: 1
Date: Wed, 20 Nov 2019 18:25:09 -0600
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] YASMIN response to salome cuesta
Message-ID:
<mailman.1.1574333281.14000.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset="UTF-8"

From: Beverly, Diamond Elizabeth <Diamond.Beverly@UTDallas.edu>



I would like to respond to Salome Cuesta's discussion response.



I was very intrigued with your post last week when you emphasized
educational spaces and work shop methodologies. I would like to know
how you define micro-actions. I also find such maker spaces and
hackathons a good step into the future of collaborative educational
space. A question that persists however is how these spaces find their
audience? And by this I mean how do we go about including diverse
voices and fostering heterogeneous approaches instead unconsciously
excluding people from the conversation and thus creating a continuous
conundrum.


Negative thoughts plague is self-conscious and effect how we proceed
throughout our days. To relieve the constant battle between my
consciousness the idea for my video game was born. My name is Diamond
Beverly and I am an artist, video game developer, and computer
programmer based in Dallas, Texas. Through individual and
collaborative projects, I discovered the power environmental
storytelling and transformative properties of a well-designed game. I
am interested in the intersections of culture, communication,
representation and narrative storytelling through the medium of
digital games. I have developed skills in computer programming, film
production and game development as a result of these personal and
academic interest.

I am currently working on a project that utilizes video games as a
medium to explore the relationship between negative thoughts and
positive affirmations. The motive of the game is to fight your
negative thoughts with positive affirmations in the style of a retro
fighting game. I plan to continue a career in the video game industry
and higher education. This game concept is based on my personal
practice I utilize regarding my mental health. I?ve always been
passionate about the way Video games brings and connects cultures and
conceptual ideas.

Portfolio -https://diamond-beverly.weebly.com/
LinkedIn -https://www.linkedin.com/in/diamond-beverly-181b56173


thank you for your time,
Diamond Beverly [Pronouns: she, her, hers]
Teaching Assistant and Graduate Student
University of Texas at Dallas



------------------------------

Message: 2
Date: Fri, 22 Nov 2019 14:44:04 +1100
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] WWWWASP Discussion - Fourth Week
Message-ID:
<mailman.0.1574394382.5744.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset="UTF-8"

Dear Yasminers,

We are just running out our fourth week in the discussion, and we have
heated up our sharing slightly with contributions from Gustavo Schwartz and
Diamond Beverly.

On Sunday, and inspired by Jing Chen comments (lack of transdisciplinary
dialogues), I?ve been trying to trigger the scientists reaction, saying
that the need for this interdisciplinarity action is huge inside science,
just rounding the idea that our scientific methodologies are old ?items?
inside our actual world, which needs big changes related to huge
complexity.

Gustavo included more complexity to our actual discussion about the inner
nature of art/sci disciplines. From his view, it is not just that we can
compare art/sci as a traditional discipline. In this big network of
discipline relations we can find sub-types which return an expert knowledge
(art/sci neuroscience, for example) and others that are not focused in an
expert view, and returns a general overview. I think the last ones are the
ones that relate contexts, and may be are important keys to understand some
of our actual complexity (like for example climate change, that has been
discussed previously in Yasmin).

Finally, Diamond focus the attention in the definition of our
micro-actions, and the relation to the advent of some new spaces (maker
spaces, hackathons, ?). Diamond presented to us the use of the narratives
of the video games, and her gamming project relating negative thoughts and
positive affirmations. Video games, for sure, are new tools that are
currently being used both in science and art. From science, one very
interesting example has been ?quantum moves? (
https://www.scienceathome.org/games/quantum-moves/ ). In my opinion, new
spaces, new tools and new platforms are great opportunities, as these
relate our work with different narratives, and we have the duty to try to
find the symbols and the particularities inside these narratives. These
tools are great when trying to identify, study or just express the actual
complexity.

Our next week is our last week for sharing thoughts, and afterwards we will
try to summarize all the inputs that you have kindly sent here. So, please,
we will be more than happy to listen your thoughts. The aim of this
discussion is just share our visions of the art/sci scenarios, topics,
challenges, actors, and so on. There are many remaining topics, like for
example the role of the cities and the social participation in these
actions, the possibility to develop strong networks of art/sci practices
(like the one made by Leonardo), the difficulties when communicating
art/sci dynamics inside an ?academia? that do not forget its 19th century
structure (at least apparently), how to create a networked knowledge
alternative (with different kind of experts and hybrids) within a world
that has an specific understanding of productivity, or who is accessing to
the art/sci practices and educational resources. Who are and who will be
the art/sci teachers and the art/sci students?

I wish you a good weekend, and hope on Monday we can continue our
discussion with all your inputs and ideas.

Guillermo.


------------------------------

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End of Yasmin_discussions Digest, Vol 19, Issue 2
*************************************************

Monday, November 18, 2019

Yasmin_discussions Digest, Vol 19, Issue 1

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THIS IS THE YASMIN-DISCUSSIONS DIGEST


Today's Topics:

1. why not ArtScience as an established area of practice,
research, and education? (YASMIN DISCUSSIONS)


----------------------------------------------------------------------

Message: 1
Date: Sun, 17 Nov 2019 19:00:51 +0100
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] why not ArtScience as an established
area of practice, research, and education?
Message-ID:
<mailman.4.1574022550.23077.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset=utf-8

Hi all

I would like to reply to Joao?s thoughts.

From my point of view, we should distinguished between general and specific ArtSci collaborations. In the last case, this kind of collaboration could become an established area of practice; let say: a discipline. This could be, for example, the case of visual artists collaborating with neuroscientists in problems related to visual perception. There are too many things to do in this field and this collaboration could last for decades. On the other hand, there are very general explorations of the borders between art and science that can hardly become a discipline due to its general character. Trying to fit this kind of exploration into a discipline could eventually fade its purpose.

Best,
G/

----------------------------------------
Dr. Gustavo A. Schwartz
Centro de F?sica de Materiales
Centro Mixto CSIC-UPV/EHU
-----------------------------------------

> Joao Silveira Introductory text
>
>
> As mentioned, there are some residency programs connecting artists and
> scientists around the world as well as more and more interactions inside
> the universities. However, ArtScience is usually a peripheral activity and
> still far from institutionalized activity. This opens the question: Should
> ArtSci be inside a ?silo?? On one hand, to be inside a silo could be
> prejudicial for the transdisciplinary philosophy and in the end, ArtSci
> could end just as another ?discipline?. On the other hand, we have in the
> contemporary history many examples of well-developed disciplines that were
> born from the fusion of other areas as Biochemistry (biology + chemistry);
> Astrophysics (Astronomy + Physics); Biophysics (biology + Physics);
> bioengineering (biology + engineering), etc. So, why not ArtScience as an
> established area of practice, research, and education?
>
>
> Joao Silveira
>
>



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*************************************************

Sunday, November 17, 2019

Yasmin_discussions Digest, Vol 18, Issue 3

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THIS IS THE YASMIN-DISCUSSIONS DIGEST


Today's Topics:

1. WWWWASP Discussion - Third week (YASMIN DISCUSSIONS)


----------------------------------------------------------------------

Message: 1
Date: Fri, 15 Nov 2019 11:16:11 +1100
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] WWWWASP Discussion - Third week
Message-ID:
<mailman.2.1573942709.23077.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset="UTF-8"

Hi all,

I would like to follow with the kind of ?strong statements? strategy, just
to, hopefully, heat it up our discussion.

I would like to add something following the direction from Salom?
contribution. I agree with Salome that biotechnology, or bioinformatics
has an intrinsic difference to the current Bioart, or , why not, a possible
Biohistory. In her words, ?comparing helps to understand?, but in the first
cases (Technology + Science; or Science + Science), we are developing
alternative technical skills. In the second cases (Science + Arts, or
Science + Humanities), yes, it is true that we are developing alternative
technical skills, which is totally true an interesting, but at the same
time we are including ?contexts?. We can discuss if the context is already
in the first ones (Nanobiotechnology, for example). I would say that, yes,
it is there, but in an implicit state. So, the second approach (we can say,
?second order interdisciplinarities?), context is recovered explicitly. So,
then, history, for example, becomes an important issue to be analized
inside a ?technical? framework (or esthetics, or poetics, or politics ?). I
do not like to use the word ?technical? here, because I m the kind of
person that strongly support that a pencil and a paper are great technical
tools, which push us to many interesting human actions. But, when we
arrange disciplines following this ?second order? approach, the recovering
of contextual links is made explicitly. This means with the participation
of our mutual self-awareness. And this is an important difference.

Following with Salome statement, which I think may be it has been expressed
by our invited discussants in different forms too. Why is this so
important? Well, it allows to follow our understanding guided by our
contextual relations, as then we are claiming that is not the technical
subject, is not only the concepts, are these inside the context, and the
context is very hybridized. As Roger claimed many times, this does not mean
that the specialized knowledge does not play a role. On the contrary,
specialized, and deep technical knowledge is helpful and it is needed (and
here we can define this as the ?first order interdsiciplinarities? =
nano-bio-thermodynamics), but the second order are helpful too re-linking
us to our contexts, and bridging our shared results and communities, and
hence helping to understand by comparation in different scales (orders).

I think this was kind of a shared though by all of us. However, here I
would like to put another statement. Usually, and it has been addressed a
couple of times in our discussion, this kind of interdisciplinary relations
is much more understood and much more followed inside the artistic and the
humanities communities. However, in my point of view, and due to the
explicit relation with the contextual information in both art and
humanities (which these disciplines are usually more open to be interested
in the science progress and the main science breakthroughs, or at least
this is my impresion), the main advantages when including these are for the
Science community. We, as a former students, and then as professional
researchers, are totally explicitly un-linked to history, to economics, to
philosophy, ?, We are not questioning ourselfs ?what does it mean
productivity??, we have totally removed from our day to day practice any
critical framework. Well, it is true that there are many scientist with
highly critical thinking, but it is not included in our standard education.
This is something that you can create by your own, in the best case. And
this does not mean that this independent or self-education is not
important, or even is not desired (of course, to have lateral and
peripheral educational resources sounds like very good), but the important
may be is that it is not understood as a necessity. However, we can find
everywhere how the meaning of science is becoming more and more closed. We
are approaching a point where science = applied science. Or even worse,
when science = industrial science. Excuse me, I m not saying that link
production, engage industry and entrepreneurship with science is bad at
all. I m just saying that when we pack the meaning of science in this very
restrictive definition, we are just developing a science which is smaller,
and poorer. So, to be honest, I think this is a very important battle for
the science community, and it is very surprising how we, as a community,
are the less engaged circle by far. May be we are the community that are
losing more when not do in it. As I said, I think actual arts and
humanities can develop a better equilibrium education from technical and
contextual frameworks.

Finally, and linking to the word ?necessity?, may be we can follow a link
to our Institutional Vs micro-actions analysis. With the risk to be
simplistic, ad sorry if these words are (remember, I m just trying to heat
it up), may be we can link our educational necessities to institutional
framework, in some extent. I m not saying that our micro-actions does not
represents a necessity. In fact, I do think. However, in words of Marina
Garces (Spanish Philosopher), we do need to recover the meaning of ?us?,
and may be we are just letting go away the institutional framework from
?us?. Could be nowadays we can recover our public institutions to work for
?us?. I know that this is kind of hyper-utopian, and may be even naive
statement, which is always dangerous. But I don t think why we should loose
the institutional spaces, as these spaces are public, and could be
represent a public track to recover our link to ?us? too. Sure, from the
ruins and shambles, but we all know many different spaces that are being
included in these institutional framework, and at the same time are linked
to our micro-negotiations reservoirs.

Hoping that we can re-start our discussing next week with all your voices
from all around the globe.

Cheers,

Guillermo.


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End of Yasmin_discussions Digest, Vol 18, Issue 3
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Tuesday, November 12, 2019

Yasmin_discussions Digest, Vol 18, Issue 2

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THIS IS THE YASMIN-DISCUSSIONS DIGEST


Today's Topics:

1. reply to joel: is artscience a new discipline or do we need
other concepts (YASMIN DISCUSSIONS)
2. WWWWASP Discussion (YASMIN DISCUSSIONS)


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Message: 1
Date: Sun, 10 Nov 2019 12:20:19 -0600
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] reply to joel: is artscience a new
discipline or do we need other concepts
Message-ID:
<mailman.1.1573542783.4565.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset="UTF-8"

yasminers

i think i am replying to joel- for some reason the archive doesnt give
the email address of people who
post- please sign your posts !!
roger malina


the question raised by 'joel' is:

"""I've been dipping in and out of this discussion and it fascinates
me because it reflects an attempt to bring our ruminations on the
Art-Science connection from the abstract to the concrete, specifically
with respect to education. In that regard I would like to offer the
following based on my experiences.

There has been considerable talk about whether or not the Art-Science
connection could, or has, yielded a new discipline, much in the way
new disciplines have emerged in the past from the intersection of
other, more established areas of inquiry.""

my response to this:
so: is artscience a new emerging discipline or do we need a new
concept of how to substructure knowledge, and knowledge creating
institutions?

a) an easy point. Almost all human organisations are 'tree structured
hierarchies". There is typically one 'ceo' or 'president' of the
organisation, with deputies, and then various subdivisions (schools
and departments). There some discussion in the business world of
'horizontal organisations', the need for 'floating' employees etc

perhaps the last failed attempts are centered on creating schools of
'interdisciplinary studies' that started in the 1990s. Most of these
have disappeared or have failed to achieve the promised goals of their
founders.

perhaps one opportunity for new approaches to the problem of recurrent
problem of bridging disciplines is the new phase of non institinal or
place based learning, ie on line education. During the era of TV,
there were TV based universities which tended still to have discipline
based programs. With on line learning, and the emergence of'on line
certificates, perhaps an individual can 'aggregate' on line
certificates in a transdisciplinary way to create 'diplomas'. In our
artscilab at UTD through the HERMES project led by alex topete we will
start awarding certificates for 'transdisciplinary apprenticeships'
via EdX certificates.

in the meantime we all will continue to struggle, as people have for
centuries, to create intyer.mutli/transdisciplinary temporary
structures in hierarchical tree structure universities. There is no
best method for artscience, but hopefully many good ones.

a totally separate discussion to the institutional structuring of
knowledge creation industries are the
philosophica/ontological.epistemological approaches which need not
match institutional structuring of knowlege
except if you want to make a living doing it !!

J then goes on:
I've been involved in two such areas that have been "around" for
quite some time.

The first is computer animation and, more specifically, character
animation. When I teach character animation to computer science
students, I cover not only the mechanical, mathematical aspects of
animation, I also address the biology of humans, their skeletal
structure, how muscles control motion, etc. I also present students
with a discussion of physics and locomotion, and how the two are
related. Yet, in addition to these scientific underpinnings of
animation, I also address the aesthetic aspects of motion and
animation, such as color, lighting, composition, etc.

A second area that has emerged as of late is that of Digital Media,
which at my university is a combination of Art, Communications, and
Computer Science. This new major has a series of four courses that act
as the backbone for the degree. These four courses comprise topics
that arise at the intersection of Art, Communications and Computer
Science, and as such demonstrate how each of these "feeder"
disciplines feeds off each other in the creation of a new discipline.

I'd love to hear other, concrete examples from my fellow Yasminers!

my thoughts

indeed throughout history new areas of practice have 'emerged' by
combining several existing disciplines like your examples of digital
media or computer animation - indeed- in our ATEC school at UTDallas
we call this now 'animationx' and animation includes not only
character animation , but also data animation which in data science is
an emerging area of interest

my own example is that I myself got a PhD in astrophysics-- but course
in the 19th century this discipline did not exist- we had astronomy
and physics and after 50 years of squabling it became astrophysics-
though some universities still call it astronomy, and include physics
within the research methods of astronomy, and others call it physics
with a sub discipline of astrophysics depending on how the
institutional squabbling and turf wars were resolved ( see randall
collins 'sociology of philosophy' to understand the interplay betweeen
epsitemology and sociology.

thanks J-sorry i cant find your actual name-when you reply please sign
your email !

roger malina


------------------------------
Roger is in Dallas
whatsapp, eechat , messenger+1-510-853-2007 and +33680459447 in
europe.This email address for leonardo related work,
rmalina@alum.mit.edu use roger.malina@utdallas.edu for UTD work



------------------------------

Message: 2
Date: Tue, 12 Nov 2019 08:36:27 +0100
From: YASMIN DISCUSSIONS <yasmin_discussions@ntlab.gr>
To: yasmin_discussions@ntlab.gr
Subject: [Yasmin_discussions] WWWWASP Discussion
Message-ID:
<mailman.2.1573546713.4565.yasmin_discussions_ntlab.gr@ntlab.gr>
Content-Type: text/plain; charset=utf-8; format=flowed



Dear Yasminers,

As Guillermo mentions, in our Visual and Multimedia Art Master's degree,
his? collaboration has always consisted in communicating complex
scientific? concepts to confront art students with knowledge that
escapes their language and the methods they dominate in their research.
We do not choose science popularization as a vehicle to get familiar
with these new concepts. On the contrary, Guillermo used the newest
science published papers. This introduces a relevant factor, the idea of
receiving first-hand information about complex and technical content.
All along these years I have used this strategy with experts in forensic
medicine, synthetic biology or bioinformatics and I could conclude that
comparing helps to understand. It also allows to relate the artistic
concerns with the scientific devices and concepts, generating multiple
disciplinary crosses such as bioart. However, I do not believe that this
final practice constitutes a new discipline such as biochemistry.

I agree with Roger in his statement on the hierarchies: the scientist
has the fundamental resources in the university (labs, expensive
infrastructure, human resources, etc.), although the artist develops his
teaching work in the university and his role as researcher / artist is
performed outside (atelier). Opening the doors of scientific
laboratories to artists should be an objective of the whole university
institution itself, since questioning from multiple perspectives is
beneficial to all; beyond publications in high impact journals and
though patents, much consideration in these directions is needed. To
what extent does research contribute to the changing relationship
between humans and world? Which are the social
implications?

Best wishes,

--
Salom? Cuesta
Dir. Dpto. Escultura
Universitat Polit?cnica de Val?ncia

http://orcid.org/0000-0002-7898-8093

----- CONTACTO----
email:sacuesta@esc.upv.es
Tel: (34) 96 38 77 007 Ext. Int. 74801/14825
M?vil: 689 285 254
Fax:(34) 96 387 74 89
--------------------------
Universitat Polit?cnica de Val?ncia:http://www.upv.es
Departamento Escultura:http://www.upv.es/entidades/DE/index-es.html
Grupo de Investigaci?n Laboratorio de Luz:http://www.laboluz.com
M?ster Oficial en Artes Visuales y Multimedia:
http://www.artesvisualesymultimedia.com
http://www.facebook.com/masterAVM



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