Natasha,
these process, without perhaps, are mathematically represented and identified with +1=?
Recently, the European Parlament sign a formal declaration adopting The Third Industrial Revolution as vision and concept outlined by Jeremy Rifkin that in brief said: Throughout history, economic transformations occur when new communication technology, converges, with a new energy systems, also called as the Eras of Singularity. (http://energyanddata.blogspot.com/)
... as well on the Singularity Summit, Vernor Vinge as Science Fiction Novelist, Technology Futurist in the inner circles of EU Intelligence, considering about The Third Industrial revolution and technological singularity to be 'holy' but in the sense of 'otherness' rather than moral excellence. (http://energyanddata.blogspot.com/p/holy.html)
The root structural cause underlying the global environment and social security problems is the fact that ecology has become a subsystem of the economy, and ecology a subsystem of technology.
Technology is the driven for the growth market (Goldman Sachs 2012).
With an holistic (http://energyanddata.blogspot.com/p/paolo-pomponi.html) and interdisciplinary thinking approach (http://energyanddata.blogspot.com/p/team-work.html) economy can establish the communication system as a way to release new job, reward people and increase the knowledge competitiveness (http://energyanddata.blogspot.com/p/energy-data-b.html), embedded is the next economic paradigm.
Full Report & Documentation on the website
All the best
Paolo
On 9 Jul 2012, at 15:46, Natasha Vita-More wrote:
> Hi Jennifer,
>
> Design offers the necessary mechanics for artistic documentation - making
> the artist an voluntary or involuntary designer. And there are numerous
> examples of documentation that outreaches the artistic product itself. Imho,
> good art is also theoretical and narrative. So, in one sentence: design
> offers the means to document and exhibit and if done with expertise and
> stimulating content is not just good art, it can be great art.
>
> Best,
> Natasha
>
> -----Original Message-----
> From: yasmin_discussions-bounces@estia.media.uoa.gr
> [mailto:yasmin_discussions-bounces@estia.media.uoa.gr] On Behalf Of Jennifer
> Kanary Nikolov(a)
> Sent: Sunday, July 08, 2012 4:12 AM
> To: YASMIN DISCUSSIONS
> Subject: Re: [Yasmin_discussions] Art/Sci Collab Presentation and
> Documentation
>
> Dear All,
>
> Some more issues to perhaps facilitate the success of collaboration and
> future collaborations is that of Documentation and Presentation. In the
> world of art and science there are embedded paths of listeners, readers and
> viewers that need to be re-investigated in relation to for instance:
> process.
>
> The methods to present research that comes from collaborations are not fully
> developed. The current structures in which documentation is presented are
> usually not equipped to deal with both getting across the scientific
> relevance as well as the aesthetics. The value of the research results often
> can not be fully appreciated until one has taken the time and effort to
> understand the relevance. There is the issue of location and time, as the
> results from such collaborations can not be understood in the minimal glance
> a viewer takes in an art exhibition. In this sense an exhibition symposium
> is still in it's infancy. Good artistic research does not necessarily
> produce good art, so how to present results that are of significance in
> relation to knowledge production, but initially are not seen as significant
> within current art infrastructures? At the same time there is the challenge
> of documenting process and understanding how the documentation is part of
> the artwork as well as scientific data.
>
> This provides challenges as to how to organize structures for these types of
> knowledge productions. By professionalizing these aspects we facilitate
> future collaborations in a way that provides the general public as well as
> critics and historians new methods to understand, analyze and position
> results that come from such collaborations.
>
> Regards,
>
> Jennifer Kanary
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