Yasmin List: 2011

Wednesday, December 14, 2011

Re: [Yasmin_discussions] interactive electronic poetry

the "reply" button aspects for sure Annick... re Network 5.0 & crossing
networks

Eduardo Ka's Aromapesie, Andreas Maria Jacobs,"Intervention," "from my
eXtended BodY, "Fever Dreams." etc-
http://continuo.wordpress.com/page/41/?ref=Sexhop.Com,
http://web.njit.edu/~funkhous/prehistoric.html,
http://www.jstor.org/pss/1578370,
http://google.sfsu.edu/search?q=research+as+inspiration&spell=1&client=default_frontend&access=p&ie=UTF-8&output=xml_no_dtd&proxystylesheet=default_frontend,
Digital,
http://epc.buffalo.edu/authors/glazier/syllabi/2001f475-syllabus.html,
http://www.reverberant.com/SM/smpaper.html,
http://www.worldhistory.com/wiki/K/Kurt-Schwitters.htm,
http://www.localmotives.com/2003/english/index.html
leif BRUSH

On Wed, Dec 14, 2011 at 8:27 AM, Annick Bureaud <bureaud@altern.org> wrote:

> Roger, and everyone,
>
>
>
>> its a wonder how this yasmin discussion has gone from networking 5.0 to
>> synaesthesia in chimpanzees and now new forms of e poetry !! there
>> is a poem there somewhere
>>
>
> hum ... might just be a mistake when using the "reply" button ;-)
>
> But may be it is also that e-poetry is a topic that could be discussed
> here ...
>
> which made me think about the most recent work by Eduardo Kac, not
> e-poetry but for sure "new media" poetry and for sure to experiment with,
> if not the entire body, at least other senses :
>
> http://www.ekac.org/aromapoetry.html
>
> Annick
> --
>
> ------------------------
> Annick Bureaud (abureaud@gmail.com)
> tel: 33/(0)1 43 20 92 23
> mobile/cell : 33/(0)6 86 77 65 76
> Leonardo/Olats : http://www.olats.org
> Web : http://www.annickbureaud.net
> Collectif Nunc : http://www.nunc.com
> -------------------------
>
> _______________________________________________
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>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
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>

--
______________
Leif Brush
Professor Emeritus
Research Specialty: Environmental Sound
http://d.umn.edu/lbarchivesa
lbrush@d.umn.edu
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Re: [Yasmin_discussions] interactive electronic poetry

Roger, and everyone,

>
> its a wonder how this yasmin discussion has gone from networking 5.0 to
> synaesthesia in chimpanzees and now new forms of e poetry !! there
> is a poem there somewhere

hum ... might just be a mistake when using the "reply"
button ;-)

But may be it is also that e-poetry is a topic that could be
discussed here ...

which made me think about the most recent work by Eduardo
Kac, not e-poetry but for sure "new media" poetry and for
sure to experiment with, if not the entire body, at least
other senses :

http://www.ekac.org/aromapoetry.html

Annick
--

------------------------
Annick Bureaud (abureaud@gmail.com)
tel: 33/(0)1 43 20 92 23
mobile/cell : 33/(0)6 86 77 65 76
Leonardo/Olats : http://www.olats.org
Web : http://www.annickbureaud.net
Collectif Nunc : http://www.nunc.com
-------------------------
_______________________________________________
Yasmin_discussions mailing list
Yasmin_discussions@estia.media.uoa.gr
http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions

Yasmin URL: http://www.media.uoa.gr/yasmin

Tuesday, December 13, 2011

[Yasmin_discussions] ditital poetry the politics of

From: Andreas Maria Jacobs <ajaco@xs4all.nl>Subject: [spectre] Digital
Poetry as InterventionTo: Spectre <spectre@mikrolisten.de>Message-ID:
<9562FF03-954F-4AAB-BB4C-142BFDC5795D@xs4all.nl>Content-Type:
text/plain; charset="us-ascii"
Spoken Words
in case you could not make it yesterday to Amsterdam, the audio-part
from the live performance is available at:
http://nictoglobe.com/AudioPerdu10122011/listen.m3u
Enjoy!
AA
Sent from my eXtended BodY
On 10 dec. 2011, at 11:44, IR3ABF <ajaco@xs4all.nl> wrote:
> The Politics of Digital Poetry>> 11 ways to escape the symbolic field>> 1. Destruction/Art in the 21st Century> 2. Augury/Judith's Dream> 3. Die Wahrheit/Definitions for Poets> 4. Premonition/Sfinx> 5. Subversion/Sins & Tears, an Elegy for a Lybian Clown> 6. Community/Art (nouns)> 7. Absolute/About me> 8. Catastrophe/Are we real or a Fantasy> 9. Architecture/Your kisses for a Cigarette> 10. Fluidal/Art is as> 11. Revolve/Artv(verbs)>> Setlist for 2nite's performance>> @perdu amsterdam 20:55 CEST>> see: http://perdu.nl (agenda)>> Andreas Maria Jacobs>> Sent from my eXtended Body
w: http://www.nictoglobe.comw: http://burgerwaanzin.nl

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Re: [Yasmin_discussions] networking 5.0

...http://www.unsw.edu.au/future-students, http://www.promateria.be/archive,
http://myfbs.be/index-en.html#oproep, human cities
http://www.myfis.web.tr/, I_ask_you_info.html
www.d.umn.edu/~lbrush/I_ask_you_info.html Environmental Studies. e a r s to
the ground. Leif Brush .... ( But did once man talk to birds? Talking
leaves among ghosts and dragons; Melodious caves) ... leif BRUSH

On Mon, Dec 12, 2011 at 5:28 PM, Leif Brush <lbrush@d.umn.edu> wrote:

> Zeroing serious students via .edu newspape ad budgets toward
> universities, colleges and people wanting for their whats, etc to be
> fullfilled; expediting and linking-up among unique global MFA/Sound
> students, has quite a few oxygenated potentials- especially since my last
> suggestions in the 1970s. (jpgs enclosed).
>
> *UK Signal Processing Research Group - undergrad courses, The Sound School
> *US School of the Art Instiute of Chicago- MFA Sound, Supercollider,
> Locative Sound
> http://www.audioreactive.com/audioreactive/index.php?searchword=supercollider&option=com_searchESS, Chicago
> https://www.google.com/search?client=opera&rls=en&q=ESS,+Chicago&sourceid=opera&ie=utf-8&oe=utf-8AU RRR FM, Sound Design,
> UNIMELB.au.edu, ANAT http://www.anat.org.au/program/project-sites/,
> SIAL.remit.edu + wikis http://www.sial.rmit.edu.au/People/lharvey.php,
> Perth, Master of Electronic Art, http://www.curtin.edu.au/
>
> leif BRUSH
>
> On Thu, Dec 8, 2011 at 9:39 AM, roger malina <rmalina@alum.mit.edu> wrote:
>
>> yasminers
>>
>> for our networking discussion- here is the union of international
>> associations
>> created 100 years ago
>>
>> roger
>>
>> UIA
>>
>> http://www.uia.be/
>>
>> The Union of International Associations (UIA) is a research institute
>> and documentation centre, based in Brussels. It was founded one
>> hundred years ago, in 1907, by Henri La Fontaine (Nobel Peace Prize
>> laureate of 1913), and Paul Otlet, a founding father of what is now
>> called information science.
>>
>> Non-profit, apolitical, independent, and non-governmental in nature,
>> the UIA has been a pioneer in the research, monitoring and provision
>> of information on international organizations, international
>> associations and their global challenges since 1907.
>>
>> Publicly the UIA is best known for the Yearbook of International
>> Organizations; the Encyclopedia of World Problems and Human Potential;
>> the International Congress Calendar; and its former journal
>> Transnational Associations. [Read more about our activities]
>>
>> In its on-going efforts to facilitate understanding of the nature and
>> complexities of the international community of organizations the UIA
>> has become a cutting-edge technical centre with high standing in the
>> academic, governmental, and business domains.
>>
>> The UIA has consultative status with ECOSOC and with UNESCO.
>> _______________________________________________
>> Yasmin_discussions mailing list
>> Yasmin_discussions@estia.media.uoa.gr
>> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>>
>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>
>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
>> In the page that will appear ("info page"), enter e-mail address, name, and
>> password in the fields found further down the page.
>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>> your e-mail address in the last field. Enter password if asked. Click on
>> the unsubscribe button on the page that will appear ("options page").
>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>> Digest Mode" option and set it to either on or off.
>>
>
>
>
> --
> ______________
> Leif Brush
> Professor Emeritus
> Research Specialty: Environmental Sound
> http://d.umn.edu/lbarchivesa
> lbrush@d.umn.edu
>
>

Yasmin URL: http://www.media.uoa.gr/yasmin

Monday, December 12, 2011

Re: [Yasmin_discussions] networking 5.0

Zeroing serious students via .edu newspape ad budgets toward universities,
colleges and people wanting for their whats, etc to be fullfilled;
expediting and linking-up among unique global MFA/Sound students, has quite
a few oxygenated potentials- especially since my last suggestions in the
1970s. (jpgs enclosed).

*UK Signal Processing Research Group - undergrad courses, The Sound School
*US School of the Art Instiute of Chicago- MFA Sound, Supercollider,
Locative Sound
http://www.audioreactive.com/audioreactive/index.php?searchword=supercollider&option=com_searchESS,
Chicago
https://www.google.com/search?client=opera&rls=en&q=ESS,+Chicago&sourceid=opera&ie=utf-8&oe=utf-8AU
RRR FM, Sound Design,
UNIMELB.au.edu, ANAT http://www.anat.org.au/program/project-sites/,
SIAL.remit.edu + wikis http://www.sial.rmit.edu.au/People/lharvey.php,
Perth, Master of Electronic Art, http://www.curtin.edu.au/

leif BRUSH

On Thu, Dec 8, 2011 at 9:39 AM, roger malina <rmalina@alum.mit.edu> wrote:

> yasminers
>
> for our networking discussion- here is the union of international
> associations
> created 100 years ago
>
> roger
>
> UIA
>
> http://www.uia.be/
>
> The Union of International Associations (UIA) is a research institute
> and documentation centre, based in Brussels. It was founded one
> hundred years ago, in 1907, by Henri La Fontaine (Nobel Peace Prize
> laureate of 1913), and Paul Otlet, a founding father of what is now
> called information science.
>
> Non-profit, apolitical, independent, and non-governmental in nature,
> the UIA has been a pioneer in the research, monitoring and provision
> of information on international organizations, international
> associations and their global challenges since 1907.
>
> Publicly the UIA is best known for the Yearbook of International
> Organizations; the Encyclopedia of World Problems and Human Potential;
> the International Congress Calendar; and its former journal
> Transnational Associations. [Read more about our activities]
>
> In its on-going efforts to facilitate understanding of the nature and
> complexities of the international community of organizations the UIA
> has become a cutting-edge technical centre with high standing in the
> academic, governmental, and business domains.
>
> The UIA has consultative status with ECOSOC and with UNESCO.
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
> In the page that will appear ("info page"), enter e-mail address, name, and
> password in the fields found further down the page.
> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
> your e-mail address in the last field. Enter password if asked. Click on
> the unsubscribe button on the page that will appear ("options page").
> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
> Digest Mode" option and set it to either on or off.
>

--
______________
Leif Brush
Professor Emeritus
Research Specialty: Environmental Sound
http://d.umn.edu/lbarchivesa
lbrush@d.umn.edu

[Yasmin_discussions] interactive electronic poetry

vitor annick et al

its a wonder how this yasmin discussion has gone from networking 5.0 to
synaesthesia in chimpanzees and now new forms of e poetry !! there
is a poem there somewhere

i just saw a performance of an interactive poem by Philippe Bootz
in collaboration with pioneer emusic pioneer Marcel Fremiot of their
new work " les amis sur le seuil'

http://revuebleuorange.org/oeuvre/les-amis-sur-le-seuil

the poem is available on line and of course never reads/sounds
the same

it was a very powerful performance !!

try it ( its in french and needs shockwave to run)

http://revuebleuorange.org/oeuvre/les-amis-sur-le-seuil

roger

Looking for a Professor position in Arts-Humanities/Science-Engineering ?
9 Positions open at UT Dallas:
http://malina.diatrope.com/2011/10/31/9-positions-in-artscience-technology-at-ut-dallas/

Looking for an Art-Science Residency ? IMERA call for proposals:
http://malina.diatrope.com/2011/10/22/call-for-art-science-residency-proposals-at-imera-marseille/

Want to Joint the Leonardo International Network of leading
art/science/technology
institutions ?
Become a Leonardo Affiliate Member:
http://leonardo.info/isast/org-membership.html
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Sunday, December 11, 2011

Re: [Yasmin_discussions] Interactive Poetry

Dear All,

I have two suggestions for you :
- Jeffrey Shaw, "Legible City", 1989
http://www.jeffrey-shaw.net/

This work is considered a "classic" of interactive art, it
is usually considered as "visual art" BUT it is also digital
literature (if not poetry stricto sensu) and you need you
whole body to interact with it.

- Camille Utterback and Romy Achituv, "Text Rain", (late 90
or early 2000 if I remember correctly)
http://www.youtube.com/watch?v=toWFvXHghDk

Best
Annick

Vítor Reia-Baptista wrote:
> Olá Cláudio.
>
> É possível que se tivesse infiltrado algum lixo nas ligações, talvez
> estas funcionem melhor:
>
> http://www.atirateaomar.blogspot.com/
>
> http://www.facebook.com/pages/FlaJazzados/104194103029718
> depois ver fotos
> e seguidamente vídeos.
> Abraço.
> Vítor
>
> Citando Claudio Fajardo <clafajardo@gmail.com>:
>
>> Caro Vítor,
>>
>> Obrigado por responder-me tão rapidamente. Visitei o blog, no entanto
>> tive
>> problemas com plug-ins. A primeira vista me pareceu bastante
>> interessante. Farei as instalações de softwares necessários para
>> vizualizar
>> seus trabalhos. Em breve entro em contato novamente para conversarmos
>> mais
>> um pouco sobre nossos temas de pesquisa em comum.
>> Obrigado.
>>
>> Cláudio
>> On Fri, Dec 9, 2011 at 7:27 AM, Vítor Reia-Baptista <vreia@ualg.pt>
>> wrote:
>>
>>> Olá Claudio.
>>> A série de poemas fílmicos:
>>> <http://www.atirateaomar.**blogspot.com/<http://www.atirateaomar.blogspot.com/>
>>>
>>> >
>>> (ainda incompleta no blogue) foi pensada para ser apresentada em
>>> instalações com projecção de imagens sobre corpos dançantes ao som de
>>> arranjos jazzísticos muito livres mas retirados de trechos retirados das
>>> bandas sonoras originais, à semelhança dos sons do projecto FlaJazzados:
>>> <http://www.facebook.com/**photo.php?v=10150375225839755&**
>>> set=o.104194103029718&type=3&**theater<http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater>
>>>
>>> >
>>> Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
>>> Abraço.
>>> Vítor
>>>
>>> Citando Claudio Fajardo <clafajardo@gmail.com>:
>>>
>>> Hi All
>>>>
>>>> My name is Claudio Fajardo and I´m a brazilian researcher of new media
>>>> poetry. I´m looking for artistic works that use interactive digital
>>>> technologies to realize poetry performances using the entire body
>>>> used to
>>>> read poems, not only the eyes and hands. These kind of digital
>>>> poetry must
>>>> allow a total interaction of the reader with the poetic work. The
>>>> role of
>>>> the body is essential as a process of aprehension of the poetry
>>>> purpose.
>>>> The medium used can be realized by many ways of artistic expressions as
>>>> interactive installations, real or digital 3D objects, or some other
>>>> relevant possibilities.
>>>>
>>>> Best regards.
>>>> Luís Claudio Fajardo
>>>> Doctoral Program in Literary Studies
>>>> Universidade Federal de Juiz de Fora
>>>> Brazil
>>>> ______________________________**_________________
>>>> Yasmin_discussions mailing list
>>>> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
>>>>
>>>> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>>>>
>>>>
>>>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>>>
>>>> HOW TO SUBSCRIBE: click on the link to the list you wish to
>>>> subscribe to.
>>>> In the page that will appear ("info page"), enter e-mail address,
>>>> name, and
>>>> password in the fields found further down the page.
>>>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>>>> your e-mail address in the last field. Enter password if asked.
>>>> Click on
>>>> the unsubscribe button on the page that will appear ("options page").
>>>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>>>> Digest Mode" option and set it to either on or off.
>>>>
>>>>
>>>>
>>>
>>>
>>> ------------------------------**------------------------------**----
>>> This message was sent using IMP, the Internet Messaging Program.
>>>
>>>
>>> ______________________________**_________________
>>> Yasmin_discussions mailing list
>>> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
>>>
>>> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>>>
>>>
>>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>>
>>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe
>>> to.
>>> In the page that will appear ("info page"), enter e-mail address,
>>> name, and
>>> password in the fields found further down the page.
>>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>>> your e-mail address in the last field. Enter password if asked. Click on
>>> the unsubscribe button on the page that will appear ("options page").
>>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>>> Digest Mode" option and set it to either on or off.
>>>
>> _______________________________________________
>> Yasmin_discussions mailing list
>> Yasmin_discussions@estia.media.uoa.gr
>> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>>
>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>
>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe
>> to. In the page that will appear ("info page"), enter e-mail address,
>> name, and password in the fields found further down the page.
>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and
>> enter your e-mail address in the last field. Enter password if asked.
>> Click on the unsubscribe button on the page that will appear ("options
>> page").
>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the
>> "Set Digest Mode" option and set it to either on or off.
>>
>>
>
>
>
> ----------------------------------------------------------------
> This message was sent using IMP, the Internet Messaging Program.
>
>
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe
> to. In the page that will appear ("info page"), enter e-mail address,
> name, and password in the fields found further down the page.
> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
> your e-mail address in the last field. Enter password if asked. Click on
> the unsubscribe button on the page that will appear ("options page").
> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
> Digest Mode" option and set it to either on or off.
>

Yasmin URL: http://www.media.uoa.gr/yasmin

Saturday, December 10, 2011

Re: [Yasmin_discussions] Interactive Poetry

oi claudio

segue mais uma referência para você, uma performance poética com pipas:

http://vimeo.com/16793009

um abraço
bruno

On Sat, Dec 10, 2011 at 4:38 PM, Ennio Bertrand <enniobertrand@gmail.com>wrote:

> Dear Claudio,
>
> I send at this address
> http://www.sendspace.com/file/i023l5
>
>
> two video describing two my interactive poetry installation.
>
> One in Italian and the other in English.
>
> The interactivity is not with entire body. Sorr
>
> ennio bertrand
>
>
> On Sat, Dec 10, 2011 at 12:42 PM, Claudio Fajardo <clafajardo@gmail.com
> >wrote:
>
> > Caro Vítor,
> >
> > Obrigado por responder-me tão rapidamente. Visitei o blog, no entanto
> tive
> > problemas com plug-ins. A primeira vista me pareceu bastante
> > interessante. Farei as instalações de softwares necessários para
> vizualizar
> > seus trabalhos. Em breve entro em contato novamente para conversarmos
> mais
> > um pouco sobre nossos temas de pesquisa em comum.
> > Obrigado.
> >
> > Cláudio
> > On Fri, Dec 9, 2011 at 7:27 AM, Vítor Reia-Baptista <vreia@ualg.pt>
> wrote:
> >
> > > Olá Claudio.
> > > A série de poemas fílmicos: <http://www.atirateaomar.**blogspot.com/<
> > http://www.atirateaomar.blogspot.com/>
> > > >
> > > (ainda incompleta no blogue) foi pensada para ser apresentada em
> > > instalações com projecção de imagens sobre corpos dançantes ao som de
> > > arranjos jazzísticos muito livres mas retirados de trechos retirados
> das
> > > bandas sonoras originais, à semelhança dos sons do projecto
> FlaJazzados:
> > > <http://www.facebook.com/**photo.php?v=10150375225839755&**
> > > set=o.104194103029718&type=3&**theater<
> >
> http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater
> > >
> > > >
> > > Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
> > > Abraço.
> > > Vítor
> > >
> > > Citando Claudio Fajardo <clafajardo@gmail.com>:
> > >
> > > Hi All
> > >>
> > >> My name is Claudio Fajardo and I´m a brazilian researcher of new media
> > >> poetry. I´m looking for artistic works that use interactive digital
> > >> technologies to realize poetry performances using the entire body used
> > to
> > >> read poems, not only the eyes and hands. These kind of digital poetry
> > must
> > >> allow a total interaction of the reader with the poetic work. The role
> > of
> > >> the body is essential as a process of aprehension of the poetry
> purpose.
> > >> The medium used can be realized by many ways of artistic expressions
> as
> > >> interactive installations, real or digital 3D objects, or some other
> > >> relevant possibilities.
> > >>
> > >> Best regards.
> > >> Luís Claudio Fajardo
> > >> Doctoral Program in Literary Studies
> > >> Universidade Federal de Juiz de Fora
> > >> Brazil
> > >> ______________________________**_________________
> > >> Yasmin_discussions mailing list
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[Yasmin_discussions] Fwd: [Yasmin_an] Synaesthesia in Chimpanzees

yasminers

fascinating post by sean day which states:

Thus, we are called upon, here, to re-asses our definitions of "the
senses" and "modes", and, thus, also, "cross-modal".

here is the abstract of the article Sean Day pointed us to

roger

Humans share implicit preferences for certain cross-sensory
combinations; for example, they consistently associate higher-pitched
sounds with lighter colors, smaller size, and spikier shapes. In the
condition of synesthesia, people may experience such cross-modal
correspondences to a perceptual degree (e.g., literally seeing
sounds). So far, no study has addressed the question whether nonhuman
animals share cross-modal correspondences as well. To establish the
evolutionary origins of cross-modal mappings, we tested whether
chimpanzees (Pan troglodytes) also associate higher pitch with higher
luminance. Thirty-three humans and six chimpanzees were required to
classify black and white squares according to their color while
hearing irrelevant background sounds that were either high-pitched or
low-pitched. Both species performed better when the background sound
was congruent (high-pitched for white, low-pitched for black) than
when it was incongruent (low-pitched for white, high-pitched for
black). An inherent tendency to pair high pitch with high luminance
hence evolved before the human lineage split from that of chimpanzees.
Rather than being a culturally learned or a linguistic phenomenon,
this mapping constitutes a basic feature of the primate sensory
system.

---------- Forwarded message ----------
From: Day,Sean <Sean.Day@tridenttech.edu>
Date: Sat, Dec 10, 2011 at 6:13 PM
Subject: Re: [Yasmin_an] Synaesthesia in Chimpanzees
To: YASMIN ANNOUNCEMENTS <yasmin_announcements@estia.media.uoa.gr>

A recent article regarding cross-modal correspondences and synesthesia
has appeared in PNAS:

Ludwig, Vera U., Ikuma Adachi, and Tetsuro Matsuzawa. 2011.
"Visuoauditory mappings between high luminance and high pitch are
shared by chimpanzees (Pan troglodytes) and humans." PNAS;
www.pnas.org/cgi/doi/10.1073/pnas.1112605108

I would like to state the following:

The last common ancestor of chimpanzees and humans (CHLCA) existed
somewhere between 7 and 10 million years ago (mya). So, we can push
cross-modal correspondences in our ancestry back to at least 7 mya,
and note that not only was it persistent in the genera leading up to
modern-day species of Pan, but, apparently, would also have appeared
in (at least) genera Sahelanthropus, Ardipithecus, and
Austraolopithecus, on the way to genus Homo. Which implies also that
cross-modal correspondences would have occurred amongst Homo sapiens'
previous companion species erectus, Denisovans, Neanderthals, and
florensiensis.

I will posit the following: "Synesthesia", by force of its basic
definition, must be the minority circumstance for a given species.
"Synesthesia" means an (atypical) combining of what are,
statistically, most commonly un-combined sensory perceptions.

Now, if, as Ludwig et al. 2011 suggests, cross-modal correspondences
can be traced back in our line to at least 7 mya with the CHLCA, and,
as Marks, Cytowic, Ramachandran, and many other synesthesia
researchers have pointed out, is so pervasive in modern-day humans -
then that is not "synesthesia". It is also not "cross-modal
correspondence".

Rather, that is how the human senses most typically - statistically - work.

Thus, we are called upon, here, to re-asses our definitions of "the
senses" and "modes", and, thus, also, "cross-modal".

Again, for something to be "cross-modal", that implies that there are,
indeed, two separate modes, and that a correspondence between them
would, given the odds, be more unlikely. If, however, such
correspondences are the more common event - as, apparently, they are
for humans regarding, e.g., luminance and (sound) pitch (frequency) -
then that is how our perception most commonly works, and we need to
re-evaluate what we now increasingly see are outdated paradigms
regarding "the senses" and "perceptual modes".

Much of what is currently being labeled "cross-modal correspondence"
is not. For something to be a cross-modal correspondence, that, too,
would have to be the less likely event.

I will note that Ludwig et al. do, indeed, carefully distinguish
between cross-modal correspondences and synesthesia, seeing them as
separate but potentially related things.

Sean A. Day, Ph.D.
Dept. of Behavior and Soc. Sciences
Trident Technical College
Charleston, SC 29423 USA

(843) 574-6539

President, American Synesthesia Association
(http://www.synesthesia.info/index.html)

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Re: [Yasmin_discussions] Interactive Poetry

Dear Claudio,

I send at this address
http://www.sendspace.com/file/i023l5

two video describing two my interactive poetry installation.

One in Italian and the other in English.

The interactivity is not with entire body. Sorr

ennio bertrand

On Sat, Dec 10, 2011 at 12:42 PM, Claudio Fajardo <clafajardo@gmail.com>wrote:

> Caro Vítor,
>
> Obrigado por responder-me tão rapidamente. Visitei o blog, no entanto tive
> problemas com plug-ins. A primeira vista me pareceu bastante
> interessante. Farei as instalações de softwares necessários para vizualizar
> seus trabalhos. Em breve entro em contato novamente para conversarmos mais
> um pouco sobre nossos temas de pesquisa em comum.
> Obrigado.
>
> Cláudio
> On Fri, Dec 9, 2011 at 7:27 AM, Vítor Reia-Baptista <vreia@ualg.pt> wrote:
>
> > Olá Claudio.
> > A série de poemas fílmicos: <http://www.atirateaomar.**blogspot.com/<
> http://www.atirateaomar.blogspot.com/>
> > >
> > (ainda incompleta no blogue) foi pensada para ser apresentada em
> > instalações com projecção de imagens sobre corpos dançantes ao som de
> > arranjos jazzísticos muito livres mas retirados de trechos retirados das
> > bandas sonoras originais, à semelhança dos sons do projecto FlaJazzados:
> > <http://www.facebook.com/**photo.php?v=10150375225839755&**
> > set=o.104194103029718&type=3&**theater<
> http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater
> >
> > >
> > Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
> > Abraço.
> > Vítor
> >
> > Citando Claudio Fajardo <clafajardo@gmail.com>:
> >
> > Hi All
> >>
> >> My name is Claudio Fajardo and I´m a brazilian researcher of new media
> >> poetry. I´m looking for artistic works that use interactive digital
> >> technologies to realize poetry performances using the entire body used
> to
> >> read poems, not only the eyes and hands. These kind of digital poetry
> must
> >> allow a total interaction of the reader with the poetic work. The role
> of
> >> the body is essential as a process of aprehension of the poetry purpose.
> >> The medium used can be realized by many ways of artistic expressions as
> >> interactive installations, real or digital 3D objects, or some other
> >> relevant possibilities.
> >>
> >> Best regards.
> >> Luís Claudio Fajardo
> >> Doctoral Program in Literary Studies
> >> Universidade Federal de Juiz de Fora
> >> Brazil
> >> ______________________________**_________________
> >> Yasmin_discussions mailing list
> >> Yasmin_discussions@estia.**media.uoa.gr<
> Yasmin_discussions@estia.media.uoa.gr>
> >> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
> >>
> >> Yasmin URL: http://www.media.uoa.gr/yasmin
> >>
> >> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe
> to.
> >> In the page that will appear ("info page"), enter e-mail address, name,
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Re: [Yasmin_discussions] Interactive Poetry

Olá Cláudio.

É possível que se tivesse infiltrado algum lixo nas ligações, talvez
estas funcionem melhor:

http://www.atirateaomar.blogspot.com/

http://www.facebook.com/pages/FlaJazzados/104194103029718
depois ver fotos
e seguidamente vídeos.
Abraço.
Vítor

Citando Claudio Fajardo <clafajardo@gmail.com>:

> Caro Vítor,
>
> Obrigado por responder-me tão rapidamente. Visitei o blog, no entanto tive
> problemas com plug-ins. A primeira vista me pareceu bastante
> interessante. Farei as instalações de softwares necessários para vizualizar
> seus trabalhos. Em breve entro em contato novamente para conversarmos mais
> um pouco sobre nossos temas de pesquisa em comum.
> Obrigado.
>
> Cláudio
> On Fri, Dec 9, 2011 at 7:27 AM, Vítor Reia-Baptista <vreia@ualg.pt> wrote:
>
>> Olá Claudio.
>> A série de poemas fílmicos:
>> <http://www.atirateaomar.**blogspot.com/<http://www.atirateaomar.blogspot.com/>
>> >
>> (ainda incompleta no blogue) foi pensada para ser apresentada em
>> instalações com projecção de imagens sobre corpos dançantes ao som de
>> arranjos jazzísticos muito livres mas retirados de trechos retirados das
>> bandas sonoras originais, à semelhança dos sons do projecto FlaJazzados:
>> <http://www.facebook.com/**photo.php?v=10150375225839755&**
>> set=o.104194103029718&type=3&**theater<http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater>
>> >
>> Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
>> Abraço.
>> Vítor
>>
>> Citando Claudio Fajardo <clafajardo@gmail.com>:
>>
>> Hi All
>>>
>>> My name is Claudio Fajardo and I´m a brazilian researcher of new media
>>> poetry. I´m looking for artistic works that use interactive digital
>>> technologies to realize poetry performances using the entire body used to
>>> read poems, not only the eyes and hands. These kind of digital poetry must
>>> allow a total interaction of the reader with the poetic work. The role of
>>> the body is essential as a process of aprehension of the poetry purpose.
>>> The medium used can be realized by many ways of artistic expressions as
>>> interactive installations, real or digital 3D objects, or some other
>>> relevant possibilities.
>>>
>>> Best regards.
>>> Luís Claudio Fajardo
>>> Doctoral Program in Literary Studies
>>> Universidade Federal de Juiz de Fora
>>> Brazil
>>> ______________________________**_________________
>>> Yasmin_discussions mailing list
>>> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
>>> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>>>
>>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>>
>>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
>>> In the page that will appear ("info page"), enter e-mail address, name, and
>>> password in the fields found further down the page.
>>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>>> your e-mail address in the last field. Enter password if asked. Click on
>>> the unsubscribe button on the page that will appear ("options page").
>>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>>> Digest Mode" option and set it to either on or off.
>>>
>>>
>>>
>>
>>
>> ------------------------------**------------------------------**----
>> This message was sent using IMP, the Internet Messaging Program.
>>
>>
>> ______________________________**_________________
>> Yasmin_discussions mailing list
>> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
>> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>>
>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>
>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
>> In the page that will appear ("info page"), enter e-mail address, name, and
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>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>> your e-mail address in the last field. Enter password if asked. Click on
>> the unsubscribe button on the page that will appear ("options page").
>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>> Digest Mode" option and set it to either on or off.
>>
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
> http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions
>
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Re: [Yasmin_discussions] Interactive Poetry

Caro Vítor,

Obrigado por responder-me tão rapidamente. Visitei o blog, no entanto tive
problemas com plug-ins. A primeira vista me pareceu bastante
interessante. Farei as instalações de softwares necessários para vizualizar
seus trabalhos. Em breve entro em contato novamente para conversarmos mais
um pouco sobre nossos temas de pesquisa em comum.
Obrigado.

Cláudio
On Fri, Dec 9, 2011 at 7:27 AM, Vítor Reia-Baptista <vreia@ualg.pt> wrote:

> Olá Claudio.
> A série de poemas fílmicos: <http://www.atirateaomar.**blogspot.com/<http://www.atirateaomar.blogspot.com/>
> >
> (ainda incompleta no blogue) foi pensada para ser apresentada em
> instalações com projecção de imagens sobre corpos dançantes ao som de
> arranjos jazzísticos muito livres mas retirados de trechos retirados das
> bandas sonoras originais, à semelhança dos sons do projecto FlaJazzados:
> <http://www.facebook.com/**photo.php?v=10150375225839755&**
> set=o.104194103029718&type=3&**theater<http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater>
> >
> Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
> Abraço.
> Vítor
>
> Citando Claudio Fajardo <clafajardo@gmail.com>:
>
> Hi All
>>
>> My name is Claudio Fajardo and I´m a brazilian researcher of new media
>> poetry. I´m looking for artistic works that use interactive digital
>> technologies to realize poetry performances using the entire body used to
>> read poems, not only the eyes and hands. These kind of digital poetry must
>> allow a total interaction of the reader with the poetic work. The role of
>> the body is essential as a process of aprehension of the poetry purpose.
>> The medium used can be realized by many ways of artistic expressions as
>> interactive installations, real or digital 3D objects, or some other
>> relevant possibilities.
>>
>> Best regards.
>> Luís Claudio Fajardo
>> Doctoral Program in Literary Studies
>> Universidade Federal de Juiz de Fora
>> Brazil
>> ______________________________**_________________
>> Yasmin_discussions mailing list
>> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
>> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>>
>> Yasmin URL: http://www.media.uoa.gr/yasmin
>>
>> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
>> In the page that will appear ("info page"), enter e-mail address, name, and
>> password in the fields found further down the page.
>> HOW TO UNSUBSCRIBE: on the info page, scroll all the way down and enter
>> your e-mail address in the last field. Enter password if asked. Click on
>> the unsubscribe button on the page that will appear ("options page").
>> HOW TO ENABLE / DISABLE DIGEST MODE: in the options page, find the "Set
>> Digest Mode" option and set it to either on or off.
>>
>>
>>
>
>
> ------------------------------**------------------------------**----
> This message was sent using IMP, the Internet Messaging Program.
>
>
> ______________________________**_________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.**media.uoa.gr<Yasmin_discussions@estia.media.uoa.gr>
> http://estia.media.uoa.gr/**mailman/listinfo/yasmin_**discussions<http://estia.media.uoa.gr/mailman/listinfo/yasmin_discussions>
>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
> HOW TO SUBSCRIBE: click on the link to the list you wish to subscribe to.
> In the page that will appear ("info page"), enter e-mail address, name, and
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> the unsubscribe button on the page that will appear ("options page").
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> Digest Mode" option and set it to either on or off.
>
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Friday, December 9, 2011

Re: [Yasmin_discussions] Interactive Poetry

Olá Claudio.
A série de poemas fílmicos: <http://www.atirateaomar.blogspot.com/>
(ainda incompleta no blogue) foi pensada para ser apresentada em
instalações com projecção de imagens sobre corpos dançantes ao som de
arranjos jazzísticos muito livres mas retirados de trechos retirados
das bandas sonoras originais, à semelhança dos sons do projecto
FlaJazzados:
<http://www.facebook.com/photo.php?v=10150375225839755&set=o.104194103029718&type=3&theater>
Quem sabe se um dia podemos juntar tudo isto nesse seu projecto?
Abraço.
Vítor

Citando Claudio Fajardo <clafajardo@gmail.com>:

> Hi All
>
> My name is Claudio Fajardo and I´m a brazilian researcher of new media
> poetry. I´m looking for artistic works that use interactive digital
> technologies to realize poetry performances using the entire body used to
> read poems, not only the eyes and hands. These kind of digital poetry must
> allow a total interaction of the reader with the poetic work. The role of
> the body is essential as a process of aprehension of the poetry purpose.
> The medium used can be realized by many ways of artistic expressions as
> interactive installations, real or digital 3D objects, or some other
> relevant possibilities.
>
> Best regards.
> Luís Claudio Fajardo
> Doctoral Program in Literary Studies
> Universidade Federal de Juiz de Fora
> Brazil
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Thursday, December 8, 2011

[Yasmin_discussions] networking 5.0

yasminers

for our networking discussion- here is the union of international associations
created 100 years ago

roger

UIA

http://www.uia.be/

The Union of International Associations (UIA) is a research institute
and documentation centre, based in Brussels. It was founded one
hundred years ago, in 1907, by Henri La Fontaine (Nobel Peace Prize
laureate of 1913), and Paul Otlet, a founding father of what is now
called information science.

Non-profit, apolitical, independent, and non-governmental in nature,
the UIA has been a pioneer in the research, monitoring and provision
of information on international organizations, international
associations and their global challenges since 1907.

Publicly the UIA is best known for the Yearbook of International
Organizations; the Encyclopedia of World Problems and Human Potential;
the International Congress Calendar; and its former journal
Transnational Associations. [Read more about our activities]

In its on-going efforts to facilitate understanding of the nature and
complexities of the international community of organizations the UIA
has become a cutting-edge technical centre with high standing in the
academic, governmental, and business domains.

The UIA has consultative status with ECOSOC and with UNESCO.
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[Yasmin_discussions] Interactive Poetry

Hi All

My name is Claudio Fajardo and I´m a brazilian researcher of new media
poetry. I´m looking for artistic works that use interactive digital
technologies to realize poetry performances using the entire body used to
read poems, not only the eyes and hands. These kind of digital poetry must
allow a total interaction of the reader with the poetic work. The role of
the body is essential as a process of aprehension of the poetry purpose.
The medium used can be realized by many ways of artistic expressions as
interactive installations, real or digital 3D objects, or some other
relevant possibilities.

Best regards.
Luís Claudio Fajardo
Doctoral Program in Literary Studies
Universidade Federal de Juiz de Fora
Brazil
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[Yasmin_discussions] networking 5.0

>From Maurice Benayoun •

What about SCIEFAD (F for "for" art and design), I guess we don't
need to include the N or NETSEAD (with the play on NET SEED..) what I
say...;-)

maurice- not sure if you intended a pun with SCIEFAD- but there is
indeed a faddish-ness in the way funding affects us !!! for many
years it was creative industries, new media etc and now there is a
burst of pushing of art-science- locally art-science collaboration
is suddenly on the 'innovation' radar and suddenly many things are
repackaged as art-science !!!

patrick maccray is a science historian who has worked on how funding
for nanotechnology emerged and much of what
was already going on got renamed nanotech because there was funding
available ( and less easily for materials science...
or chemistry)

Levy Leblond in his book Science is Not Art, has a section on the
faddish nature of how art-science is suddenly on
an international radar and groups calling themsleves art science
appear out of the woodwork ( 5 years ago they
were "locative media" groups - just a name change)

but needless to say i think there is some fundamental shifting of
cultural practices going on- here in the new Aix marseille
University a group of energetic professors in sciences and humanities
are building new curricula that try to join
the arts and science at the hip, with problem driven approaches> I am
just reviewing a proposal for a new
bachelor of arts and sciences at the university of hong kong which
includes introduction to science for artists,
a course on scientific processes, art and mathematics as well as
electives in cell biology, robotic art, organic
chemistry, game design etc etc

the program I am joining at UT Dallas, like these others, are
responding to student interest and pressure in
education that bridges the arts and sciences

so ( but then i wouldnt say otherwise) i think the current
international interest in art-sci relflects underlying
cultural shifts not just political funding fads

and we need new kinds of neworks as a substrate that grows out of the
new cultural practices-

roger

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[Yasmin_discussions] networking 5.0

Cathy Fitzgerald • Hi Roger,

seems to be a popular theme, I came across this UK conference
yesterday 'The Networked Conference' – for artists, fully
oversubscribed http://www.thetriangleconference.org/archives/98. Also
had over 80+ people download my research paper on 'networking the arts
to save the earth' and had it reposted a few times- to me networks
have a lot of positives but they are fragile and take a lot of work
and the platforms change and then, how to make them sustainable in
this fast changing world, and in the end, how can we evaluate their
worth? But they are fun and do seem to foster networks that you make
in the physical world too.

Best regards
Cathy

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Wednesday, December 7, 2011

Re: [Yasmin_discussions] networking 5.0

Dave
I generally appreciate what you have recounted and I especially underscore
your final paragraph, which by the way. sort of addresses my wrapping it
up project (has been unsuccessful in grant funding) and remains out of
reach as an realizable soundwork project. I have been conceptually working
through this with friends. Ideally it's in realtime and interactive. From
person-to-person, who upon achieving UTC-based timing, results in outflow
signals which are to be conjoined with Lat/Long syncing via mesh network.
Contributing participants- in the multiplexing of their collective data
would used xyz U(tc) film sensors- and rely on the final mix down using the
Arduino and XBee RF modules for netout purposes. The four data files are
run through a audio editing software for compressing all into one final
file that can be uploaded to Sound Cloud-as ongoing audio and video
documentations-and being the basis for renewed funding.. Overall
communicating uses wikis throughout the project. Specific partnering .be
workshops would be relied upon. Sooo, trouble shoot construction and
software issues, and yet, conceptually-related net(s) remain a challenge
considering adjacent to/with what/who?
leif BRUSH

On Sun, Dec 4, 2011 at 3:50 PM, roger malina <rmalina@alum.mit.edu> wrote:

> ave Everitt
> daveeveritt.org/bio.html
> deveritt@innotts.co.uk
> 86.17.98.67
> Submitted on 2011/11/24 at 3:05 pm
> I'd say if a network doesn't self-organise via unmonitored and
> sustained communication between individuals, it isn't a network but a
> managed structure. I'd also argue that you can only asses what kind of
> network it is by analysing the interactions between participants/nodes
> quantitatively and that, retrospectively once the network is running
> successfully.
>
> I also wonder how self-organising networks survive within
> institutional structures which are typically hierarchical and often
> status-based with a strong management and administrative remit, as
> well as a need for institutional promotion. It seems from my
> observations that individuals who respond to each other tend to
> by-pass or work around their institutional frameworks in order to
> connect, although they are obviously need to frame their interactions
> in a manner that their supporting institutions can recognise.
>
> I'd see the main issue of interest is how as sustained relationships
> often cut across or ignore institutional initiatives: if the latter
> want to respond to or foster these self-organising networks, perhaps
> they could support advocates who are *already connected*, watch how
> they work, and *really listen* to what they need in order to continue.
>
> _______________________________________________
> Yasmin_discussions mailing list
> Yasmin_discussions@estia.media.uoa.gr
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>
> Yasmin URL: http://www.media.uoa.gr/yasmin
>
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> In the page that will appear ("info page"), enter e-mail address, name, and
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> your e-mail address in the last field. Enter password if asked. Click on
> the unsubscribe button on the page that will appear ("options page").
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> Digest Mode" option and set it to either on or off.
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Sunday, December 4, 2011

[Yasmin_discussions] networking 5.0

ave Everitt
daveeveritt.org/bio.html
deveritt@innotts.co.uk
86.17.98.67
Submitted on 2011/11/24 at 3:05 pm
I'd say if a network doesn't self-organise via unmonitored and
sustained communication between individuals, it isn't a network but a
managed structure. I'd also argue that you can only asses what kind of
network it is by analysing the interactions between participants/nodes
quantitatively and that, retrospectively once the network is running
successfully.

I also wonder how self-organising networks survive within
institutional structures which are typically hierarchical and often
status-based with a strong management and administrative remit, as
well as a need for institutional promotion. It seems from my
observations that individuals who respond to each other tend to
by-pass or work around their institutional frameworks in order to
connect, although they are obviously need to frame their interactions
in a manner that their supporting institutions can recognise.

I'd see the main issue of interest is how as sustained relationships
often cut across or ignore institutional initiatives: if the latter
want to respond to or foster these self-organising networks, perhaps
they could support advocates who are *already connected*, watch how
they work, and *really listen* to what they need in order to continue.

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[Yasmin_discussions] networking 5.0: Next Steps in building Network of Science Engineering Art and Design

Next Steps in building Network of Science Engineering Art and Design

As I mentioned on this yasmin discussion there was a meeting Nov
14/15 of the US NSF funded group
working on establishing a network of science engineering art and
design (NSEAD but a first decision
was to come up with a better name).

http://malina.diatrope.com/2011/11/12/nsf-art-science-workshop-at-maryland-institute-college-of-art-nov-14-and-15-2011/

The group has funding for the next year to try and develop the
network. One of the decisions of the group
is that it would focus on 'advocacy' of the initiatives needed to
bridge the SEAD disciplines.

A mailman list has now been set up for anyone interested in joining in
the discussion and being
kept informed:

https://lists.viz.tamu.edu/listinfo/nsead

If you want to join go to the link.

In addition there is a document sharing site:

http://www.viz.tamu.edu/faculty/lurleen/main/NSEAD/

roger malina

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