Great topic, thanks!
First a short introduction, Name; Jacky Sawatzky , artist. Living in
The Netherlands, Groningen and Canada, Toronto.
My interest is in mapping. Often I have focused on how (digital)
technology influence our perception and experience of place.
One of my 'older' project the RGB-project started with colour in
urban space and how the 'colour space of digital technology intersect
and influences experience of colour in urban space. The naming of
colours are so tied up to place, cultural, the personal this
juxtaposed with the 'naming' of colour in digital technology was the
research question. Here is the website http://jackysawatzky.net/Rgb
The normative influence technological interfaces have on our
relationship and experience of space is where my work starts. The
questions I ponder in my work are how can spatial and environmental
experiences be shared with an audience that leads into a 'unique'
personal experience of these interfaces? What is an audience in
locative media?
Some thoughts.
The ring tones of mobile phones create a invisible network, wherein
the local and the global acoustic pallet mix The factory ringtone is
a powerful form of branding, especially when changing the factory
set ringtone is not obvious. Most of us have experienced when a
mobile rings in a group situation, the physical response if only a
brief moment of, is that mine? If the ringtone is recognized the
physical responses move towards locating the device, looking at a
bag, to feeling ones pocket,.. Reverse a unique ringtone can evoke
a smile of interest, from an 'audience' . Ringtones have the
potential of audible graffity.
Another interesting phenomena are parts of mobile phone
conversations flowing in to often public space merging the private
and the public. Here the private bubble associated with a phoning is
floats around a public space, which becomes porous a soon as some
hears these parts. Often people when phoning in public look down, to
emphasize the private? innocent or is this a subtle persisting form
of surveillance? An assignment I have given in class is to have
students 'surveil' an urban space and write down these parts of
conversations held on the mobile phone and create an art piece out
of their findings.
other mapping projects : http://jackysawatzky.net/bike
http://jackysawatzky.net/social
http://jackysawatzky.net/soundwalk/microclimates.htm
Cheers, Jacky Sawatzky
On 20-Jul-10, at 8:27 PM, Dimitris Charitos wrote:
> Dear Roger,
>
> I guess the term "hybrid city" could better read "hybrid spatial
> experience"
> (a more generalized context) that could be the result of acting and
> perceiving within a city, within a landscape or within an
> environment of any
> scale. This is more what we had in mind when proposing the term.
> The urban
> context of course involves more of the social spatial experience
> too in the
> process and therefore touches upon the socio-political implications
> of using
> these systems. One of the key subjects of research in the area of
> pervasive
> and locative media is this spatial/environmental experience. One of
> the main
> research questions that have driven some of our experiments with such
> systems is: whether one experiences being "present" concurrently at
> the
> physical and the virtual space of the representation or one alternates
> between the two states of "presence". And the field of environmental
> cognition helps as a starting point here.
>
> I very much agree that our proprioceptive sensation is augmented to
> include
> not only our local but also a more global view of our environment
> and in the
> case of "invisible dynamics" a series of non-perceptible to the
> human senses
> phenomena. But when we experience these systems through mobile devices
> (which do not fully immerse us into a virtual context but allow for a
> continuous non-mediated perceptual input from the physical
> environment too),
> our physical environmental experience is unavoidably mixed with the
> mediated
> augmented view of the world, and this becomes a somehow "hybrid
> spatial
> experience". It may be that these two views are mixed in the case of
> augmented reality (like when using Layar) or that we somehow have to
> relate/map two quite distinct frames of reference (like in the case
> of using
> a GPS while walking in the physical environment, mentally relating
> a plan
> view of the world with a perspective one). And I suspect that the
> strong
> sense of connection between the mobile device and our body may
> somehow help
> us in the process of relating these two frames of reference.
>
> When discussing the possibility of an augmented landscape, a very
> interesting and enjoyable exhibition I saw a few years ago in the
> context of
> the Sonar festival 2005 in Barcelona on the theme of "Augmented
> Landscape"
> comes to mind. This was curated by Oscar Abril Ascaso.
>
> Best
>
> Dimitris
>
> ********************************************************************
> Dr. Dimitrios Charitos
> Assistant Professor, Department of Communication and Media Studies
> National and Kapodistrian University of
> Athens
> e-mail: vedesign at otenet dot gr
> URL: www.media.uoa.gr/~charitos
>
> -----Original Message-----
> From: yasmin_discussions-bounces@estia.media.uoa.gr
> [mailto:yasmin_discussions-bounces@estia.media.uoa.gr] On Behalf Of
> roger
> malina
> Sent: Τρίτη, 20 Ιουλίου 2010 12:16 πμ
> To: YASMIN DISCUSSIONS
> Subject: [Yasmin_discussions] the hybrid city as interface
>
> Dear Salvatore, dear Martin, dear Daphne and all
>
> I have very much enjoyed looking at the various
> cartography web sites that you have referred us to
>
> martin= as an astronomer I enjoyed Starshed ! but wish
> you had invented new constellations by joining the dots
> in new ways !!!
>
> After re reading the various posts I wonder if the term
> "hybrid city" is the right one, because the ideas really
> dont have anything to do with urbanisation as such, but
> really about how one integrates mediated senses into
> ones perception
>
> derrick de kerckhove has been talking about replacing
> a sense of view (or of perspective) with a " sense of being"
> he gave a talk at sonic acts for instance
>
> http://2010.sonicacts.com/programme/keynote-derrick-de-kerckhove/
>
> where he states
>
> "In the global environmental perception that is developing,
> the point of being, that is a proprioceptive sensation of the world,
> may be doubling if not replacing the point of view as the principal
> referent of my position in space."
>
> I think this is one answer to martin's question on how
> map making translates to art making- the "sense of being"
> is defined by the the data that one chooses to connect into
> ones worldview at a given location ( and this connects nicely
> with the previous example i gave of the "invisible dynamics"
> concept- and surely this selection of the world is one thing
> that artists do
>
> roger
>
> ps= in reading up on derrick's idea on sense of being i came
> across this statistic that derrick states : 80% of cell phone
> owners under the age of 18 sleep with their cell phone under
> their pillow or by their ear...
>
> Derrick: care to respond ?
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