hardbound catalog with numerous photographs. CVM has an extra catalog
from this exhibition, new, if anyone in the US is interested to
purchase it. The shipping would be much cheaper than ordering from
Germany, it's a heavy catalog. Essays are in German only.
We were a lender to the exhibition, for the Oskar Fischinger film.
Cindy Keefer
Center for Visual Music
Los Angeles, CA
www.centerforvisualmusic.org
On Sun, May 3, 2009 at 11:10 AM, cristina miranda
<cristinamiranda.de@gmail.com> wrote:
> Dear Yasminers,
> I would like to remind that there is an exhibition in the ZKM, Karshruhe,
> Germany, about the subject of Notation. The exhibition is curated by
> Hubertus v. Amelunxen, Dieter Appelt, and Peter Weibel, in Cooperation wigh
> Angela Lammert and Bernhard Serexhe. I paste here a part of the text
> extracted from their webpage:*
> *
>
> *"Notation. Calculation and Form in the Arts* :: Notation is dedicated to
> the multifaceted spectrum of artistic process existing between concept and
> work. The exhibition places works from all areas of art from 1900 until
> today in relation to one another: sign systems in literature, music,
> painting, choreography, architecture, photography, film and in media art.
> Over 450 positions by more than 100 artists and drawn from international
> collections, the ZKM and the archive of the Academy of the Arts are to be
> presented - The exhibition runs until July 26th, 2009 ?? www.zkm.de/notation
> <http://www.zkm.de/notation>
>
>
> During the 20th century, artists have repeatedly made visible new realities
> through the connection between scientific calculation and artistic form.
> Morphic resonances, serial structures and sound waves: Modernity has
> rediscovered the intellectual aspect of existence as a field of research for
> art. John Cage, Etiénne-Jules Marey and Walter Benjamin, Edgard Varèse and
> Iannis Xenakis, Mary Wigman and Robert Walser, Oskar Fischinger and Marcel
> Broodthaers, Allan McCollum and Mel Bochner, and Pierre Boulez: 20th century
> artists have designed fields of relations in notations, (in the words of
> György Ligeti) either as directions for play, as means of communication or
> as an autonomous work".
>
> Hoping this is an enriching information to feed the debate,
>
> best,
> Cristina Miranda de Almeida
>
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