> Hi every one,
>
> I am very interested in the idea of "inaudible octaves" produced by
> colors/movements (Jorge Antunes).
> (I like this idea to distort/corrupt... the rational/direct correspondance
> between sound and color)
>
> But...
> Most of the time, as a viewer, I suffer from the chosen music/composition
> put on
> the 'animated shapes'.
> I know people/artists put/stick music on image for diverse reasons : the
> fashion
> of music-everywhere, the fear of silent/emptiness, the desire to orientate
> more
> directly its meaning. but I don't think these points are major in my
> reaction.
> I guess my unease/pain comes mainly from the 'bad' sensitive correspondance
> between them.
>
> I guess that is why I decided a few years ago not to have any 'music' on my
> images. not to break the inner/intern sound of the image or their
> 'subjective'
> sound. to let it grow.
> (which makes it really harder to be selected in festivals !!)
>
> Is there some texts on sujective sound, which wouldn't be audible/expressed
> ?
>
> "minority of people experience the condition"
> "we all have some kind of synesthetic sense." (Ernest Edmonds)
> Can't we learn to feel the "synesthetic sense" better ?
>
> How to orientate the sound-image relation not in a too 'dictatorial' way ?
>
> (sorry for my bad english)
>
> AS Le Meur
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--
Lázár Krisztina Metta
Cökxpon Ambient Society
Phone: +36 30 8 56 03 76
www.cokxponambient.hu
H-1095 Bp. Soroksári út 8-10.
skype: metametta
