I suppose that my question is also : can we make a
difference between "writing" and "publishing" in the
examples that have been given all along this discussion ? It
seems to me that there is one and that some projects belong
more to the writing model than to the publishing one.
Annick
xDxD.vs.xDxD wrote:
> Dear Yasminers,
> some pointers to interesting developments that can show possible scenarios
> for next step publishing processes, and the ways in which new forms of
> expression can open up interesting questions and spaces
>
> first of all Manifest.AR
> http://www.manifestar.info/
> and their interventions in MoMA and at the Venice Biennial, through which
> they explore reappropriation of spaces and interesting possibilities to
> create spaces for expression "on top" of other ones
>
> and then the first steps towards enhancing the experience of books:
> http://www.bookbusinessmag.com/article/atria-books-employs-new-smart-phone-technology-add-digital-experience-physical-books/
> Atria books add tags to books allowing readers to access authors' other
> works and additional materials such as video and documentation: publishing
> books inside books
>
> and interstitial publishing can create revenues such as at Windermere Real
> Estates
> http://blogs.msdn.com/b/tag/archive/2010/04/20/real-estate-windermere-tag.aspx
> in which microinformation is published directly on the houses for sale,
> allowing potential buyers to see house interiors, open dialogues, etc
>
> moving onto totally different domains, the "Selective Memory Theatre"
> creates artificial memory mechanisms by using Fickr as a global brain,
> trying to mimicking the ways our brains work
> http://www.fastcodesign.com/1663245/selective-memory-theatre-uses-flickr-to-mimic-the-brain-video
> this is an interesting concept for generative publishing mechanisms
>
> and, remaining in the human body, the beautifully poetic project "Eye am
> You" by artist Jarashi Suki
> http://works.jarashi.tv/
> suggests how devices can be built to publish small, intense, narratives onto
> bodies
>
> and even the disappearance of user interfaces can bear new spaces full of
> information that build languages made of gestures
> http://news.designlanguage.com/post/1611663345
>
> or as in the proximeter developed at the information ecology lab at MIT
> http://eco.media.mit.edu/static/proximeter/index.html
> the present and past of our social clouds become publishable gestures
>
> and one last example: Sukey
> http://sukey.org/
> this is a realtime mobile application created and used by student movements
> to publish the urban scenario during protests, including positions of the
> police, of the crowds of protesters, and with tools specifically designed to
> publish escape routes, safety areas, and collaborative, emergent urban paths
> across the city.
>
> all these examples, among the hundreds that start filling websites and our
> mailboxes every day, suggest interesting questions on important issues such
> as citizenship, privacy, property and on the re-encoding of our time and
> space.
>
> for example: what is the form of a publisher who choses to create a
> "publication" like the proximeter? how does it deal with privacy? what
> business model does it enact? how can these publications scale to become a
> part of our lives, allowing us to live in more informed, aware ways?
>
> or, in the case of Sukey: how can these tools be shaped to provide
> opportunities for peer to peer organization? and to create autonmous
> information spaces?
>
> Salvatore
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--
------------------------
Annick Bureaud (abureaud@gmail.com)
tel: 33/(0)1 43 20 92 23
mobile/cell : 33/(0)6 86 77 65 76
Leonardo/Olats : http://www.olats.org
Web : http://wwww.annickbureaud.net
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